So you wanna be an author? Here are 5 painful and incredibly difficult steps to becoming an author, from Craked‘s Robert Brockway.
“It all adds up to a fascinating portrait-of-the-artist-on-the-make in the booming 1950s. And it makes you wish the stories were better.” Year-in-Reading alum Jess Walter reviews a new (911-page) collection of stories by Kurt Vonnegut. See also: “2 B R 0 2 B”, a “lost” Vonnegut story that first appeared in the sci-fi journal Worlds of If in January 1962.
Tom Wolfe has a chance to defend (er, ward off?) his 2004 “Bad Sex Award” following Literary Review‘s decision to nominate him for this year’s top honors (er, dishonors?). The UK publication has tapped Back to Blood and seven others for this year’s shortlist — and, despite popular demand, they managed to spare J.K. Rowling’s The Casual Vacancy. For some revealing passages from Wolfe’s book, check out my review.
If you’re the kind of person who might fall asleep while reading a page-turner, you’re not alone. For Read It Forward, Jonathan Russell Clark writes about the challenge of literary sleepiness. For more of his writing, check out his essay on the art of the final sentence for The Millions.
“But writers and runners know that when you settle into a long-distance run or hit your stride with the work, something other than your body takes over.” For LitHub, our own Nick Ripatrazone writes about the similarities between long-distance running and writing. Pair with: an essay on the poetics of running.
“There are two extreme views about punctuation … the first is that you don’t actually need it because it’s perfectly possible to write down what you want to say without any punctuation marks or capital letters and people can still read it youdontevenneedspacesbetweenwordsreally. The second view is that punctuation is essential, not only to avoid ambiguity but also because it ‘shows our identity as educated people.’” Here is Adrienne Raphel from The New Yorker with a history of punctuation in the internet age.