Are editors more accessible than ever before? (For what it’s worth, we list our editors’ contact details.)
Why We Can’t Respond To Everything
Welcome to the Party, VQR!
Thanks to Jane Friedman, the Virginia Quarterly Review is really blossoming of late when it comes to social media and increased web presence. Case in point: these once-a-week poem posters on their Facebook page. Extra case in point: the sort-of-not-so-secret Tumblr they’re working on!
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High Praise for Rebecca Solnit
In a new issue of N1BR, Nikil Saval takes a look at Rebecca Solnit‘s latest, calling its predecessor River of Shadows “surely one of the best books of the past decade.”
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Fancy Yourself a Bowdlerizer
“Books can be dangerous objects–under their influence people start to wonder, dream, and think.” In “celebration” of Banned Book Week, the New York Public Library has a quiz for you to find out how much you know about the freedom to read. See also our tribute to The Bluest Eye, one of the United States’ most challenged books.
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Douglas Adams Poem Unearthed
This month, a Brentwood School archivist unearthed a two-page poem entitled “A Dissertation on the task of writing a poem on a candle and an account of some of the difficulties thereto pertaining.” The kicker? It was written by a 17-year-old Douglas Adams, nine years before he published The Hitchhiker’s Guide to the Galaxy.
Wiki-zon
In a long tradition of online experimentation, Amazon has now started including something called “Shopping-enabled Wikipedia Pages” in its internal search results (see the second result here). Now you can view a copy of Wikipedia pages for authors like David Foster Wallace, J.K. Rowling, Jonathan Franzen, and probably thousands of others. How can Amazon do this? Wikipedia pages are free for anyone to reuse for almost any purpose, so long as the license info is displayed. Why is Amazon doing this? It wants free content that it can monetize.
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Traduttori traditori (“translators traitors”)
“As energy loss is an unavoidable fact of mechanics — no mechanism can be 100% efficient, and the best a designer can do is manage the loss as productively as possible — so translation loss is similarly unavoidable,” explains Mark Davie, who recently translated Galileo’s Selected Writings. But what if the “energy loss” isn’t a failure of the work’s translator so much as a failure of the organization commissioning (or failing to commission) the translation? What if, as is the case for much Arabic literature, “the process [of selecting works for translation] is based on a political consideration” that deprives Western readers of the best Arabic literary work?
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