Over at Litreactor, Joshua Chaplinsky checks in with Two Dollar Radio, the publishing outfit responsible for Grace Krilanovich’s The Orange Eats Creeps, which was one of my Year In Reading selections last year.
The New Yorker has collected all the stories from its 20 under 40 series into a single, snappy volume, on sale now. Also out this week is the third volume of Edmund Morris’ biography of Teddy Roosevelt and a new literary foray by comedian Steve Martin, An Object of Beauty.
The latest installment of #LitBeat is up! Jerry Stahl, Tom Bissell, Krys Lee, and (Millions staff picked) Lauren Groff went head-to-head for the glory of being crowned the victor last Friday in a very special made-for-TV version of Literary Death Match in L.A.
“I could measure my progress with metrics like number of scabs collected, number of inches ollied,” writes Nick Courage, in his great piece about rediscovering skateboarding in his thirties. “There was an objective truth to the sport; unlike my writing, my powerslides were self-validating.”
How do you know when you’re finished writing a novel? Electric Literature’s advice column, The Blunt Instrument, tackles the timeless questions of how to begin and when to end. If it’s endings you’re after, this piece from The Millions on writers and last lines will help give you some closure.
The Scottish poet Robert Burns’s “Address to a Haggis” might well be the most famous ode to a food product in the English canon. At The Paris Review Daily, Sadie Stein celebrates Burns’s birthday by reflecting on the poem, which starts off by describing haggis as the “chieftain of the pudding race.”