Over at Litreactor, Joshua Chaplinsky checks in with Two Dollar Radio, the publishing outfit responsible for Grace Krilanovich’s The Orange Eats Creeps, which was one of my Year In Reading selections last year.
Three decades after his death, the work of Romanian writer Max Blecher remains largely unavailable in English. Ricky D’Ambrose writes for The Nation about Blecher’s work. As he puts it, “Max Blecher is an obsessive saboteur of the breach between two seemingly irreconcilable positions: revulsion and lust.”
“It is a sad irony that the snake’s rattle, which functions as a warning device, is widely regarded as a bellicose drumroll, or war-cry, instead. It may well have been in a mood of remorse for having killed a rattlesnake on impulse that [William] Bartram, vowing solemnly that he ‘would never again be accessory to the death of a rattle snake,’ painted his marvelous portrait of a coiled rattler.” Christopher Benfey on Rattlesnake Island, a sanctuary set up to protect the woodland serpents from their greatest danger — us.
When Vladimir Nabokov developed a screen adaptation for Lolita, his director Stanley Kubrick declared it the “best ever written in Hollywood”–meaning, it seems, most gorgeously novelistic, evocative, readable. Here’s a short excerpt of his screenplay with original margin notes.
What if the Hulk kept a diary? Marvel Entertainment’s new young adult books mix superheroes with chicklit. The She-Hulk Diaries and Rogue Touch, featuring the X-Men super heroine as a teenager, are bringing romance back to comics. The biggest surprise, they’re actually good, according to critics at Wired.
A new “book event crowdfunding platform” currently launched in beta, and it goes by the name of Togather. To get the party started, they interviewed Tumblr guru, Year in Reading alumna and all-around publishing maven Rachel Fershleiser about what it takes to throw a good book event.