Over at Litreactor, Joshua Chaplinsky checks in with Two Dollar Radio, the publishing outfit responsible for Grace Krilanovich’s The Orange Eats Creeps, which was one of my Year In Reading selections last year.
Two Dollar Radio Gets Some Press
Pawnee Central
A theory of place in literature derived from Parks and Recreation? Why, Ploughshares blog, you’re too kind.
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On (Not) Being a Woman Writer
Lio Min on being an "Asian American woman" who writes about "Asian American women's issues"—and then no longer fitting into one of those identities.
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“Jawline of an aircraft carrier”
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
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Twelve Angry Women
“And this is a story about what women can do to each other—why women are cruel to each other, why women don’t reach down and help each other.” In conversation for Vanity Fair, Megan Abbott and Gillian Flynn talk about female rage, #MeToo, and Sharp Objects, the HBO series based on Flynn’s novel. Pair with: Millions staffers Janet Potter and Edan Lepucki talk about Flynn and her novels.
In Search of Lost Verse
Here’s the first known poem of Marcel Proust, written at age seventeen and entitled “Pederasty.”
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Simpsons Did It
Nearly proven: The Infinite Monkey Theorem. The theorem, popularized by “The Simpsons”, posits “that an infinite number of monkeys sitting at an infinite number of typewriters would eventually reproduce the works of Shakespeare by chance.”
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“When it gets loudly, IT GETS VERY LOUD INDEED”
Have you Yanks seen BBC‘s 6-episode series cum feature film The Trip? If not, your interest will be piqued by this clip of the show’s main characters doing their best Michael Caine impressions. It’s on Netflix if you’re into laughter, merriment, and that sort of thing.
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Mark Twain’s Posthumous Career
Roger Boylan at the Boston Review writes about the flourishing posthumous career of Mark Twain: “…more than 5,000 previously unknown letters of Twain’s have surfaced in the last 50 years. This represents an average of two new letters per week, but still only about one-tenth of the 50,000 or so he is believed to have written.” And at Slate, Craig Fehrman discusses the “brilliant brand management” behind the handling of Twain’s autobiography.