Over at Litreactor, Joshua Chaplinsky checks in with Two Dollar Radio, the publishing outfit responsible for Grace Krilanovich’s The Orange Eats Creeps, which was one of my Year In Reading selections last year.
“It’s like a crackpot combination of Baz Luhrmann’s Moulin Rouge!, Ingmar Bergman’s The Magic Flute and Lars von Trier’s Dogville. Does this crazy idea work? Maybe 70 percent of the time, but when it does it’s both daring and brilliant.” At Salon, Andrew O’Hehir is surprised by Anna Karenina.
“And this is a story about what women can do to each other—why women are cruel to each other, why women don’t reach down and help each other.” In conversation for Vanity Fair, Megan Abbott and Gillian Flynn talk about female rage, #MeToo, and Sharp Objects, the HBO series based on Flynn’s novel. Pair with: Millions staffers Janet Potter and Edan Lepucki talk about Flynn and her novels.
Have you Yanks seen BBC‘s 6-episode series cum feature film The Trip? If not, your interest will be piqued by this clip of the show’s main characters doing their best Michael Caine impressions. It’s on Netflix if you’re into laughter, merriment, and that sort of thing.
Roger Boylan at the Boston Review writes about the flourishing posthumous career of Mark Twain: “…more than 5,000 previously unknown letters of Twain’s have surfaced in the last 50 years. This represents an average of two new letters per week, but still only about one-tenth of the 50,000 or so he is believed to have written.” And at Slate, Craig Fehrman discusses the “brilliant brand management” behind the handling of Twain’s autobiography.