This past week GOOD laid off most of their editorial staff, including former Executive Editor and creator of the #realtalk From Your Editor tumblog Ann Friedman. Posting some extra #realtalk on her blog yesterday, Friedman announced that the band of former GOOD editors are looking for work and also launching their own magazine: Tomorrow.
Tomorrow!
A Screwball Tragedy
“Expertly constructed, Mister Monkey is so fresh and new it’s almost giddy, almost impudent with originality. Tender and artful, Prose’s 15th novel is a sophisticated satire, a gently spiritual celebration of life, a dark and thoroughly grim depiction of despair, a screwball comedy, a screwball tragedy.” Cathleen Schine reviews Francine Prose’s newest novel, Mister Monkey, over at The New York Times.
Female Abjection Through the Eyes of Jean Rhys
Mariah Kreutter examines the work of Jean Rhys, and how her exploration of femalle suffering still echoes throughout contemporary fiction.
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Are Young Writers in Their Prime?
Sam Tanenhaus, musing about the New Yorker “young writers” list points out that, far from being a writer’s formative years, many of the great classics in literary history were penned by writers in their 30s, or younger.
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What to Do with a Nazi Monument?
A group of Austrian artists aims to “reconfigure and recontextualize” a memorial to Austrian poet Josef Weinheber, who engaged in Nazi activities and wrote numerous pro-Hitler propaganda pieces. Michael Kaminer caught up with Eduard Freudmann, the leader of the Vienna-based push for recontextualization, who hopes to spark a debate “about how to proceed with the … artistic reconfiguration of a Nazi monument.”
“The Migrant is Not A Metaphor”
Over at The New York Times, Year in Reading alum Parul Sehgal reviews two books about migration, A Life Apart by Neel Mukherjee and The Year of the Runaways by Sunjeev Sahota.
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We Are Many. We Are Everywhere.
Roxane Gay rounded up a massive, crowdsourced list of writers of color. While the list is by no means exhaustive, it might be a necessary measure in proving “the world of letters is far more diverse than the publishing climate would lead us to believe.”
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The Chekhovian Rules of Writing
Anton Chekhov's rules for writing, as seen in an 1886 letter to his brother, include "total objectivity," "extreme brevity," and, of course, "compassion."
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“It is the last hour of the city watch.”
In an act of grand generosity, Ilya Bernstein has made his translation of Osip Mandelstam’s poetry available for free via Google Books. (h/t Keith Gessen)
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