Ever wonder why some countries get a fancy “the” in front of their names?
Haven’t read Agatha Christie? The Oyster Review will get you up to speed. Their latest Reader’s Guide, written by Lili Loofbourow, delves into the writer behind Miss Marple, Hercule Poirot and countless other iconic characters. You could also read Daniel Friedman on the ending to every mystery novel.
In 1977-1978, a public access TV show called Public Access Poetry featured leading poets from across the country (Ted Berrigan, Ron Padgett, Eileen Myles, John Yau, Brad Gooch). Thirty-one episodes are now online, but the Poetry Project at St. Mark’s is seeking funding to post the remaining fifteen reels.
As part of their Literary Ladies Cage Fight series, The Butter pitted two of Shakespeare’s most well-known characters against each other, staging contests between Hamlet’s Ophelia and Romeo and Juliet’s Juliet. Who won, you ask? Only one way to find out. You could also read Stefanie Peters on women and Shakespeare’s plays.
“The specter of the confessional haunts all first-person writing, and women’s writing in particular,” but perhaps “the instinct to insert [the self] comes from a place of saying, ‘I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'” Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.
Some of Jeff Tweedy‘s favorite writers: “I like Henry Miller a lot. I like William H. Gass a lot. Donald Barthelme, Robert Coover, Kurt Vonnegut. . . . I used to walk into bookstores when I was a kid and get the stuff that looked the craziest and the most free.” (In a Rolling Stone interview, unavailable online.)