Ever wonder why some countries get a fancy “the” in front of their names?
“The Ukraine is Weak!”
Whowasit
Haven’t read Agatha Christie? The Oyster Review will get you up to speed. Their latest Reader’s Guide, written by Lili Loofbourow, delves into the writer behind Miss Marple, Hercule Poirot and countless other iconic characters. You could also read Daniel Friedman on the ending to every mystery novel.
Public Access Poetry
In 1977-1978, a public access TV show called Public Access Poetry featured leading poets from across the country (Ted Berrigan, Ron Padgett, Eileen Myles, John Yau, Brad Gooch). Thirty-one episodes are now online, but the Poetry Project at St. Mark’s is seeking funding to post the remaining fifteen reels.
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Tragedians
As part of their Literary Ladies Cage Fight series, The Butter pitted two of Shakespeare’s most well-known characters against each other, staging contests between Hamlet’s Ophelia and Romeo and Juliet’s Juliet. Who won, you ask? Only one way to find out. You could also read Stefanie Peters on women and Shakespeare’s plays.
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“The Specter of the Confessional”
“The specter of the confessional haunts all first-person writing, and women’s writing in particular,” but perhaps “the instinct to insert [the self] comes from a place of saying, ‘I’m not an expert, I’m just a person; let me show you where I’m situated here in this thing I’m telling you about.'” Our own Lydia Kiesling writes about Meghan Daum, Lena Dunham, Leslie Jamison and the confessional impulse in nonfiction for Salon.
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“There are myriad roles for poets”
The Academy of American Poets is conducting six-question interviews with six different poets in anticipation of the 2012 Poets Forum (October 18-20). Over at BOMB, you can read the first installment, which features Mary Jo Bang.
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The Literate Frontman
Some of Jeff Tweedy‘s favorite writers: “I like Henry Miller a lot. I like William H. Gass a lot. Donald Barthelme, Robert Coover, Kurt Vonnegut. . . . I used to walk into bookstores when I was a kid and get the stuff that looked the craziest and the most free.” (In a Rolling Stone interview, unavailable online.)
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I think I know why in the case of The Netherlands: because it’s a nation that originally existed of a number of city states that formed a republic and the plural nature is maintained in the name.
About Ukraine, I don’t believe it needs to be “The” Ukriane and in the EU in some languages they do not say that nation’s name with “the” in front of it, so not sure about that one!
Johanna van Zanten