How do we map our experiences? Where You Are (our review) attempts to answer this but ends up raising an interesting relationship between print and online story space. At Music & Literature, Reif Larsen traces the history of interactive books and contemplates the future of online story space. "Considering print books have been around for over five hundred years, online publishing is still in its infancy. Much of the map remains blank." Pair with: Larsen's essay on the power of the infographic.
This week the Paris Review launched a new online series, Big, Bent Ears, a "Serial in Documentary Uncertainty" masterminded by Sam Stephenson and Ivan Weiss. Each installation features "a combination of video, audio, photography, and writing in various arrangements and states of completion," and the first chapter overlaps Joseph Mitchell and the Big Ears Music Festival even though "the two projects seem to share little: one concerns a wordsmith, a chronicler, and preserver of fading traditions; the other, musicians challenging tradition and musical forms on a sometimes radical basis."
The Council of Literary Magazines and Presses is hosting their annual Spelling Bee Fundraiser on October 30th. New Yorker editor Ben Greenman will host the event, which will pit Jonathan Ames, Amor Towles and Laura Lamont’s Life in Pictures author Emma Straub against one another (and more) in a battle of lexicographic perspicacity. (Can you state the language of origin, please?) The event will be judged by none other than Jesse Sheidlower, editor of the inimitable Oxford English Dictionary.
Kenneth Branagh and David Tennant star in an eight-hour dramatization of Life and Fate by Vasily Grossman. Completed in 1960, and centered around the bloody battle of Stalingrad, the novel was deemed so dangerous by the KGB that the book itself was arrested. BBC's excited, and all the episodes are available to download.