Why aren’t more people reading Italian literature? Is it due to an English “mistrust of ‘abroad’?” “Linguistic incompetence?” Or is it that “Italy’s not produced much that’s exciting or innovative … for a few hundred years?” Peter Hainsworth, author of Italian Literature: A Very Sort Introduction, investigates.
Emily Dickinson wrote her poetry in a house in Amherst. Mark Twain wrote many of his best works on his estate in Connecticut. And Geoffrey Chaucer, it turns out, wrote in a cramped bachelor pad, nestled in the east side of the wall surrounding London. In The Spectator, a reading of Paul Strohm’s Chaucer’s Tale, which describes a pivotal year in the poet’s life.
Amazon has unveiled its “Kindle Singles” store. Says Amazon: “Typically between 5,000 and 30,000 words, each Kindle Single is intended to allow a single killer idea — well researched, well argued and well illustrated — to be expressed at its natural length.” In practice, this appears to mean short stories as well as journalistic pieces that have (perhaps) been expanded upon. For example, a piece from n+1 is included, “Octomom and the Politics of Babies” by Mark Greif. Amazon writes that in this piece Greif “updates his insightful essay from last spring, where only the journal’s 10,000 readers had access to his dead-on critique of the American media culture that produced its own eight-headed monster.” Bottom line: Amazon is fishing for higher quality content at the low price points that Amazon readers have come to crave.
“Titles hitting shelves in the coming months are both updating heirloom recipes for a modern age, and modern kitchens, and bringing untouched dishes back into the spotlight.” Publishers Weekly highlights the resurgence of retro cookbooks as well as upcoming titles that put contemporary spins on vintage recipes. From our archives: Hannah Gersen‘s list of literature masquerading as cookbook.
A number of indie book stores, squeezed by patrons using their shelves only for research into later online purchases, are starting to charge admission for in-store readings and events, the New York Times reports.
“The author, whose novels thrum with ironic recurrences, might have been perversely pleased with this: thirty-six years after his death and twenty-two years after the fall of the Soviet Union with all its khudsovets, Vladimir Nabokov is, once again, controversial.”
“Skipping or skimming parts of a narrative should not only be expected but encouraged, particularly if an author is writing without clarity or purpose or showing off. Life’s too short to slog through some smarty-pants attempt to demonstrate a mastery of mechanical engineering or botany.” Adam Kirsch and Anna Holmes face off for The New York Times Bookends column about whether there are right and wrong ways to read a book.