Why aren’t more people reading Italian literature? Is it due to an English “mistrust of ‘abroad’?” “Linguistic incompetence?” Or is it that “Italy’s not produced much that’s exciting or innovative … for a few hundred years?” Peter Hainsworth, author of Italian Literature: A Very Sort Introduction, investigates.
“I try to edit my work in different states of mind. So I’ll go running on a really hot day and then read the 2,000 words I just wrote. Or if I’m upset, or really sleepy, or if I’m drunk, I’ll read this stuff. If you’re sleepy and you find yourself skipping over a paragraph because you’re bored by it and just want to get to the interesting part, it comes out. Those different states of mind are a really interesting filter.” Writing advice from Sebastian Junger.
Wes Anderson’s latest movie sparked a minor literary revival after it came out that much of it was based on the works of Stefan Zweig. Jason Diamond argued that Zweig may finally be getting the due he deserves in America. At the LARB, Tara Isabella Burton reads the author’s collected stories.
“The way Vermeer painted this wall is consistent with a photograph. It is not consistent with human vision.” In a fascinating new documentary by Penn and Teller, a digital-graphics artist spent five years building a lens, a room, and a harpsichord to figure out how.
Our heartfelt congratulations to Greg Fawcett, winner of this year’s Ernest Hemingway look-alike contest. He credits his success in the competition with “dedication, timing his haircuts carefully and paying attention to the length of his beard.” Looking good Greg, and all you other Papas in Miami.
As part of their 80th anniversary celebration, the Academy of American Poets recently revamped their website. The updated website now boasts such features as “geographically relevant information (such as local poetry events),” “interviews with renowned poets,” and “free lesson plans tailored for K-12 teachers.” Go take a look for yourself. I recommend starting with Sally Van Doren’s poem, “Thief.”