Why aren’t more people reading Italian literature? Is it due to an English “mistrust of ‘abroad’?” “Linguistic incompetence?” Or is it that “Italy’s not produced much that’s exciting or innovative … for a few hundred years?” Peter Hainsworth, author of Italian Literature: A Very Sort Introduction, investigates.
Thanks in part to Dalkey Archive Press’s recently announced Library of Korean Literature, works from Korea are poised to reach a broad and welcoming international audience as never before. Yet the country is still “pin[ing] for its own world-famous writer,” writes Craig Fehrman. Perhaps Kim Seong-kon is just what the doctor ordered.
Move over Shailene Woodley and Jennifer Lawrence because Chloë Grace Moretz is about to become the YA queen. The trailer for her adaptation of Gayle Forman’s If I Stay just came out. Next, she will be trading tearjerkers for dystopias in an adaptation of Rick Yancey’s The 5th Wave.
Khaled Hosseini, author of both The Kite Runner and A Thousand Splendid Suns, has a new book coming out next May. And the Mountains Echoed will be “a multigenerational novel revolving around not just parents and children but brothers and sisters, cousins and caretakers”
It’s just been announced that The Sound of Things Falling by Colombian author, Juan Gabriel Vásquez, translated from the Spanish by Canadian Anne McLean, is the winner of the 2014 International IMPAC DUBLIN Literary Award (and the €100,000 prize money). We discussed the Prize’s shortlist when it was released back in 2013, and profiled The Sound of Things Falling in our “Great Second-Half 2013 Book Preview.” Congratulations to Juan Gabriel Vásquez, and be sure to check out his prize-winning novel!
Have novels about love lost their gravitas as women’s liberation and divorce culture have taken over? Adelle Waldman doesn’t think so. In The New Yorker, she defends the timelessness of the marriage plot. “As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface.” Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman’s essay.