Why aren’t more people reading Italian literature? Is it due to an English “mistrust of ‘abroad’?” “Linguistic incompetence?” Or is it that “Italy’s not produced much that’s exciting or innovative … for a few hundred years?” Peter Hainsworth, author of Italian Literature: A Very Sort Introduction, investigates.
“When we think of novels, we often think of chunks of time and the action during those periods. But when I think of time, my teenage years particularly, I think of relationships.” Recent Year in Reading alum Darcey Steinke talks with The Rumpus about being a teenage girl, motherlessness, “quiet” books and her new novel, Sister Golden Hair.
Probably the biggest literary debut the week is Arthur Phillips’ The Tragedy of Arthur, a faux memoir about the surfacing of a long-lost Shakespeare play. Also out this week is the first book from former Soft Skull head Richard Nash’s new venture Red Lemonade: Lynne Tillman’s Someday This Will Be Funny. And, finally, now out in paperback is Aimee Bender’s The Particular Sadness of Lemon Cake. (Our two reviews)
“Other favorites I’ve found myself overusing include ‘she nodded,’ ‘she raised her eyebrows,’ and ‘she walked home slowly / she slowly walked home.’” Maria Murnane writes for the Amazon Author Insights blog (full disclosure: Amazon helps us keep the lights on around here!) about how to watch out for crutch words.
How does a writer keep their work fresh? What’s the goal of a successful artist? What is it like to adapt someone else’s writing for the screen? The Atlantic interviews Nick Hornby about his latest book, Funny Girl, and these are some of the questions that come up. Pair with this Millions review of Hornby’s A Long Way Down.
Check out this interview with Andi Zeisler, author of We Were Feminists Once: From Riot Grrrl to CoverGirl, the Buying and Selling of a Political Movement. “Capitalism, ultimately, it’s not about equality, it’s not about social justice. It doesn’t care about fixing fundamentally unequal systems that impact humans on an everyday level. Critical thinking is the really important skill, to [ask], does it seem like this is a company or a brand that really cares about women?” Our own Edan Lepucki’s piece on feminist anthems complements the interview nicely.