Why aren’t more people reading Italian literature? Is it due to an English “mistrust of ‘abroad’?” “Linguistic incompetence?” Or is it that “Italy’s not produced much that’s exciting or innovative … for a few hundred years?” Peter Hainsworth, author of Italian Literature: A Very Sort Introduction, investigates.
The Boot’s Literature
London, Beachside
Folks in London, England–well, technically Greenwich–could have their very own custom-built beach for the next five years.
●
●
Prison Prose
What inspired Wally Lamb’s latest novel, We Are Water? Part of it came from his experience teaching writing at a women’s prison in Connecticut for the past 14 years. He spoke to The Missouri Review about what it’s like to teach “the incarcerated wounded” and how they have influenced his work. “With my fiction, I’ve never been afraid to go to the dark places, but I think the women have made me more daring.”
Needs More Filigree
Kate Heart has put together an array of charts breaking down the covers of 2011’s Young Adult fiction. Spoiler: the average book featured filigree and a white girl whose head is “mostly/ completely missing.”
●
●
Famous Literary Drunks and Addicts
LIFE Magazine has put together a slideshow collecting portraits of some of history’s most notorious literary dabblers in all varieties of substances from Charles Baudelaire to John Berryman. (via bb)
●
●
Where Are You, Mr. Watterson?
This month the Cleveland International Film Festival will show Dear Mr. Watterson, a film exploring “how … a simple comic strip became so meaningful to such a massive and diverse group of people.” Yet despite the subject matter, the actual author of the Calvin and Hobbes series will almost certainly be absent from the screenings. Over at Full Stop, Liv Combe looks at the ways Bill Watterson is “keeping the idea of the private public figure alive.”
●
●
Michael Bourne’s ‘The Old Home Place’ Published by Straylight
The novella The Old Home Place by longtime Millions staffer Michael Bourne offers an intimate look at an ambitious young couple, in love and in trouble, as they grapple with America’s complex racial history.
●
●
●