A few weeks ago, Benjamin Hale wrote an article for us about the trivialities and happenstance associated with publishing prizes. His point was that legacy was more important than short-lived fame. In a way, his piece is nicely supplemented by Tom Bissell’s essay on the luck and chance necessary to attain literary success.
Temper That Ego. You Need Luck As Well.
The Purpose of Punctuation
Recommended Reading: Artist Nicholas Rougeux removes all the letters in a text and meditates on the punctuation that is left on the page.
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The End of the Gala Era
Peter Osnos on how far the publishing industry has come since the galas and publishing events of the 1990s: “That the action in publishing now is in the creation of books rather than selling the rights to them is a meaningful indicator of the excitement in the industry about the digital potential.”
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In Moominland
“After [WWII], the other Finnish artists formed themselves into political groups but Tove wasn’t a joiner; besides, the only political activity she enjoyed was tyrant-baiting. She decided to emigrate to the island kingdom of Tonga but the governor wrote back saying there was a housing shortage and she wouldn’t be welcome. So she created her own Tonga: Moominland.” A new biography looks at the “conflicted life” and creative work of Tove Jansson, whose name has appeared several times here at The Millions.
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Green Whisky
9,000 homes in Scotland are going to be powered by whisky. Could Maker’s Mark be bringing a similar idea to our side of the pond?
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Pick and Choose
Tim Waterstone (of the giant UK chain Waterstones) will soon launch a new platform that publishes shorter works. (Like several other companies, it’s been dubbed “the Spotify of books.”)
Laura Amy Schlitz Interview
Newbery Medalist and Good Masters! Sweet Ladies! author Laura Amy Schlitz was interviewed for Publisher’s Weekly. She discussed her latest novel, Splendors and Glooms, which “allowed [Schlitz] to marry two of her passions in a single work – [Charles] Dickens and marionettes,” as well as her “half-hour, one-page trick” for writing.
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“Lyric Essay as Perversion”
“In the twenty-first century, the lyric essay at its worst is a utility or an app; at its best, it’s a cross-hatch of a genre in which things cross over; implicitly chiasmic, it’s a space in which incompatible discourses are allowed to intermingle; wherein poetry and prose create productive frictions, enabling a new, unnatural form, illegible and readable for the first time.” Mary Cappello writes about the lyric essay and Djuna Barnes.
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Recent essay? “Unflowered Aloes” is twelve years old and worth reading to the very end.
Good catch. I think I’d meant to type “recently unlocked.”