Now that it’s officially summer, you might find yourself thinking about all of the books you might like to read in the sun. New Directions has a great list (summer of Lispector!), and of course there’s the LARB‘s #OccupyGaddis summer book club.
Summer Reading, happened so fast.
Tuesday New Release Day: Mansbach, Christensen, Ball, Nom de Plumes
Adam Mansbach’s “viral,” tongue-in-cheek kids’ book for adults, Go the F–k to Sleep is now out. We interviewed Mansbach years ago, pre-frenzy, about other matters. This week also offers up a pair of much anticipated novels for the literary set, The Astral by Kate Christensen (don’t miss Edan’s interview with Christensen today) and The Curfew by Jesse Ball, and a rather specialized tome for fans of literary history, Nom de Plume: A (Secret) History of Pseudonyms.
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A Frothy, Heady BFFship
“It seems that not only do Americans see beer as a person, they see beer as a person other people like better than them.”
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The Steamin’ Demon
“Every atom of my blood, form’d in the soil of this earth, runs hot / As I wheel through this snaked monster of steel, The Steamin’ Demon.” Ride The Steamin’ Demon at Six Flags with Walt Whitman. Pair with our own Michael Bourne’s piece on how Whitman saved his life.
Business v. Literature
Have the literati really framed the way we think about capitalism by disparaging business practices? If so, Forbes‘ Bruce Upbin is asking readers for examples of books (other than Mildred Pierce) in which business is portrayed nicely.
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“Writing isn’t entirely mental.”
“Writing isn’t entirely mental. You’re a physical being, and sometimes when your writing is broken, it’s your body that needs attention, not your mind.” Rebecca Makkai has some tips for breaking writer’s block and a very cool perspective on writing as a whole person. Pair with our interview with Makkai about her latest novel, The Hundred-Year House.
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Much Ado About Turkish Publishing
Millions contributor Kaya Genç reports on Istos, a Greek-owned publishing house based in Istanbul, Turkey, that’s “interested in challenging the partial, nostalgic stereotype of the old Greek community as a fashionable elite.” Meanwhile, across town, the Çağlayan Courts of Justice shocked the Turkish literati with a warning for the Sel Publishing House: stop publishing the “obscene” works of writers like William Burroughs and Chuck Palahniuk.
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Lit-Mag Editors Stop Being Polite, Start Getting Real
A couple dozen leading literary magazine editors recently found themselves debating “submission fees” in a long, heated, and candid listserv discussion. The complete transcript – names have been changed to protect the innocent – is alternately depressing and heartening. It’s a must-read for anyone who publishes in little magazines, or plans to, or is just curious about how editors see themselves. (Update (11/12): Apparently, the literary magazine that published this content on its website had not been authorized to do so by the Council of Literary Magazines and Small Presses, which administers the listserv. The content has since been taken down; we’ve de-activated the link to reflect that.)
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The Value of Difficulty
“When we read a book that requires that effort — when the act of reading becomes rigorous and self-aware, rather than effortless and transparent — we get to have a history with what we’ve given ourselves to, a history etched into us by the demanding friction of its difficulty.” Zoë Heller and Leslie Jamison debate whether or not we overvalue difficult literature in The New York Times.