Thus spoke Martin Amis: “There’s a bit more song in women’s writing, there’s more real sincerity in women’s writing.” Also, apparently women are better at writing sex scenes.
“After receiving a hundred of his letters, meeting him fifteen times, either at his apartment on Bilu Street or at a Tel Aviv café, and receiving too many calls from his cell phone to ever hope to return, I gave up trying to count the number of times that Yoram Kaniuk had died.” Nicole Krauss remembers her relationship with Israeli writer Yoram Kaniuk, author of The Last Jew, in her obituary for The New Yorker.
Nick Flynn‘s memoir Another Bullshit Night in Suck City (reviewed on our site last year) is being adapted into a movie for 2012. Being Flynn will star Paul Dano as Flynn, and his parents will be played by Robert De Niro and Julianne Moore. You can check out a trailer here. Or, if you want to check out what kind of books Flynn likes, you can check out his 2010 entry in our Year In Reading series.
That Kickstarter is offering more opportunities than ever to literary projects, from Coffee House Press’s Catstarter to the Joan Didion documentary to the Reading Rainbow spin-off, is indisputable. Now there’s yet another worthy cause turning to the crowd-sourcing platform in search of an audience: The Riveter, a magazine of longform journalism by women.
The Quarterly Conversation is kicking off its new “Long Essays” e-book series with Lady Chatterley’s Brother: Why Nicholson Baker Can’t Write About Sex, and Why Javier Marias Can.
Today would be author Stanley Elkin’s 80th. On this occasion, one fan posts an excerpt from The Franchiser and suggests “Read it out loud three times: the first to hear the sounds, the second to feel your mouth and tongue and throat make the sounds, the third time to listen to what Elkin is saying.”