Thus spoke Martin Amis: “There’s a bit more song in women’s writing, there’s more real sincerity in women’s writing.” Also, apparently women are better at writing sex scenes.
Our love of The Atlantic's By Heart series continues with Azar Nafisi's contribution to the series: an essay on reading James Baldwin, the importance of literature to democracy, and how ultimately "we need literature to remind us how like each other we are, despite our differences." Pair with Justin Campbell's Millions essay on race, fatherhood and reading Baldwin.
According to The Guardian, "researchers in Australia have developed a computer program which writes its own fables, complete with moral." No word yet on whether they're any good.
In one of the most delightful photography projects of late, authors have dressed up as their favorite children's book characters for Cambridge Jones's 26 Characters exhibition at The Story Museum. Neil Gaiman looks particularly dashing as Badger from The Wind in the Willows. The exhibition will run from April 5 to November 2 in Oxford, U.K.
New Herring Press is a Brooklyn/Portland publisher of prose chapbooks, and they’re likely the best new chapbook press you haven’t heard of yet. Volume II of their annual series features titles by Eileen Myles, Justin Torres, Amanda Davidson, and Sara Veglahn, with cover art by illustrator Jacob Magraw-Mickelson. NHP’s ultra-short backlist includes notable authors like Lynne Tillman and Deb Olin Unferth. Volume III is in the works, with authors and artist TBA soon. Check them out at newherringpress.tumblr.com.
"You should feel embarrassed when what you’re reading was written for children," Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. "You should never be embarrassed by any book you enjoy," Hillary Kelly responds in The New Republic, unrealistically (we're embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.