We are now over a week into Amazon’s boycott of the indie press e-books distributed under the Independent Publishers Group. IPG is taking a stand against Amazon’s hardline negotiations during the retail giant’s annual contract review, and 5000 titles are no longer available through the Kindle store. Last week Jim Hanas, author of the digitally and independently published Why They Cried, spoke out against Amazon to champion other e-readers and e-book retailers. The renegotiations are taking place across the industry, though, as Melville House’s Dennis Johnson puts it, “major industry figures at the big houses in New York — facing similar cutthroat demands from Amazon for their own annual contracts — remain silent… This isn’t over yet.”
“Whatever the [Fulbright] program became,” writes Boston Globe correspondent Sam Lebovic, “it was first conceived as a budget-priced megaphone to transmit American ideas to the world, rather than as a genuine international dialogue.” Indeed, one 1940s newspaper columnist dubbed the program “an ingenious piece of higher mathematics…[that] found a way to finance out of the sale of war junk a worldwide system of American scholarships.”
Cloud Atlas author David Mitchell and his wife KA Yoshida (who have an autistic son of their own) translated the latest work from Naoki Higashida, who uses an alphabet grid to communicate. The resulting memoir from the thirteen year old boy, The Reason I Jump, is scheduled for an August release. Hari Kunzru has a sneak preview of the book’s cover.
It’s been forty years since a burst of new critical attention gave Anthony Trollope a new life. What is it about him that makes his work enduringly relevant? In the latest New Yorker, Adam Gopnik argues that the author was a master of gossip. You could also read Sara Henary on the author’s two hundredth birthday.