“Smudge between the lines, fill the sexy man up.”

I’d heard that the New Yorker excerpt was the opening of Jonathan Franzen’s new novel Freedom, but it turns out it is preceded in the novel by this: “The news about Walter Berglund wasn’t picked up locally–he and Patty had moved away to Washington two years earlier and meant nothing to St. Paul now–but the urban gentry of Ramsey Hill were not so loyal to their city as not to read the New York Times. According to a long and very unflattering story in the Times, Walter had made quite a mess of his professional life out there in Washington. His old neighbors had some difficulty reconciling the quotes about him in the Times (‘arrogant,’ ‘high-handed,’ ‘ethically compromised’) with the generous, smiling, red-faced 3M employee they remembered pedaling his commuter bicycle up Summit Avenue in February snow; it seemed strange that Walter, who was greener than Greenpeace and whose own roots were rural, should be in trouble now for conniving with the coal industry and mistreating country people. Then again, there had always been something not quite right about the Berglunds.”

The Beat Generation was such a largely male-dominated literary movement that its few female writers have mostly been forgotten. At The Toast, Megan Keeling remembers Beat poet Elise Cowen, who is mostly known as Allen Ginsberg’s paramour but also wrote poetry of her own. “Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.” A collection of her poetry, Elise Cowen: Poems and Fragments, was just published.
Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.
Read more at http://the-toast.net/2014/04/24/elise-cowen-and-the-female-beat-poets/#W1BLwQlomazyFTiH.99
Her surviving poetry shows a unique perspective on the rigid cultural conformity of the 1950s and also the fringe artistic community of the Beat Generation.
Read more at http://the-toast.net/2014/04/24/elise-cowen-and-the-female-beat-poets/#W1BLwQlomazyFTiH.99

Two months after the last Borders store closed its doors, Business Week takes an in depth look at the reasons for its demise.

We hear a lot about the books writers read while drafting their own novels and stories. But we don’t hear as much about the music, TV shows and other forms of art that kept them going throughout the process. At Page-Turner, Amy Bloom catalogues the influences on her latest novel.