Mark your calendars. Thrill Murray, a Bill Murray-inspired coloring book, goes on sale this August.
“Smudge between the lines, fill the sexy man up.”
The Melrose Series
Edward St. Aubyn’s Patrick Melrose series will be adapted into a five-part Showtime series starring Benedict Cumberbatch. A few years back on our site, Ben Hamilton wrote, “the pleasures of reading Edward St Aubyn’s Melrose novels can feel strangely illicit.”
Ferlinghetti’s Journals Forthcoming
95-year-old Lawrence Ferlinghetti plans to publish his travel journals in September 2015, reports SFGate. The journals should cover his experience as a submarine chaser in World War II through his doctoral studies at the Sorbonne, as well as his travels through Central and South America later on.
The Teenage Years are More Dystopian Than Ever
Led by Millions Top Tenner The Hunger Games by Suzanne Collins, dystopia is unseating vampires as the dominant theme in teen fiction, according to The Independent. The paper lists several other examples of the hot new trend, including Plague by Michael Grant and Matched by Ally Condie. (We'd argue that with dystopian classics like 1984 and Lord of the Flies on teen reading lists for decades, this is an old trend that's new again.)
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Desire and Freedom
Recommended Reading: Can desire thrive without freedom? On the works of Margaret Atwood and Michel Houellebecq in The Atlantic. Our essay on Atwood’s vision of the future and review of Ben Jeffery’s Anti-Matter: Michel Houellebecq and Depressive Realism pair nicely.
Ann Patchett’s Project
This week, Ann Patchett, author of the recent book State of Wonder, has launched an ambitious, much-buzzed project — a new independent bookstore in the author’s hometown of Nashville, Tenn.
Identifying in the First Person
Jessica Love writes for The American Scholar about some recent psychological studies on the art and perspective of storytelling. Of particular interest is the way "the first person does seem to encourage us to identify with the narrator, especially when that narrator is a lot like us." Not that identifying with narrators is the primary purpose of reading, as the New Yorker reminds us in a piece against "relatability," but it's something to consider the next time you pick up a novel and find a character who seems to be just like you.
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