Moleskine, the company responsible for the iconic writing pads favored by Ernest Hemingway and Vincent Van Gogh, is planning to launch a public stock offering next September.
Sell! Sell! Sell! (And Write, Too!)
The Night Circus
Erin Morgenstern‘s debut novel The Night Circus gets the NPR treatment. She’s totally appreciative.
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The Task of the Translators
Pevear and Volokhonsky (first names no longer needed, really…like Madonna or Cher) rap with The Wall Street Journal about their luminous (dare we say definitive?) new translation of Tolstoy‘s The Death of Ivan Ilyich and Other Stories.
Tuesday New Release Day: Fassnacht; Gottlieb; Egan; Kleeman; Goolrick; Gaiman
Out this week: A Good Family by Erik Fassnacht; Best Boy by Eli Gottlieb; A Window Opens by Elisabeth Egan; You Too Can Have a Body Like Mine by Alexandra Kleeman; The Fall of Princes by Robert Goolrick; and a limited edition of Neil Gaiman’s The Truth Is a Cave in the Black Mountains. For more on these and other new titles, check out our Great Second-Half 2015 Book Preview.
Still Kicking
How often do journalists unfairly stereotype the Rust Belt? All the time, says Jim Russell. In a piece for Pacific Standard, he argues that much of the reporting on Dayton, Flint and other industrial towns falls prey to hyperbole and generalization. (Related: Darryl Campbell on the recession and Rust Belt fiction.)
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Twilight Belt
What does it mean that the “Twilight Belt” so closely resembles the Bible Belt?
Effing up The New Yorker
Mary Norris on the cusswords permitted to run in The New Yorker over the years. Sadly, the piece is not titled “Fuck This Shit.“
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New Release Tuesday
New on shelves this week is John Banville’s The Infinities. Also just out is Reality Hunger: A Manifesto by David Shields. (See our early look at the book, our two–part interview with Shields, and Shields’ Year in Reading.)
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Zadie Smith on The Social Network
“Why Facebook? Why this format?… The striking thing about the real Zuckerberg, in video and in print, is the relative banality of his ideas concerning the ‘Why’ of Facebook. He uses the word ‘connect’ as believers use the word ‘Jesus,’ as if it were sacred in and of itself…” Zadie Smith considers “Generation Why” and The Social Network at the New York Review of Books. Our own review of The Social Network by Sonya Chung can be found here.
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