Writing for The Dublin Review of Books, Kevin Stevens reviews Saul Bellow: Letters, the collected correspondence of “Wise Guy” Saul Bellow, “one of America’s best writers and most interesting men.”
Saul Bellow, “Wise Guy”
Living like Fitzgerald
“Recent research has shown that messy, dark, noisy, booze-filled environments like the one Fitzgerald cultivated at La Paix can, in fact, help stimulate creativity.” The Atlantic reports on the importance of environment for creativite work and / or gives you an excuse to live like Fitzgerald.
“What a world. It could be so wonderful if it wasn’t for certain people.”
Woody Allen wasn’t kidding when he said he wasn’t going to film in New York City ever again. According to The Hollywood Reporter, the setting for Allen’s next film will be Denmark.
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How Many Palins Does It Take To Break Even?
Will HarperCollins sell 400,000 copies of Going Rogue? (My guess: you betcha.)
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Tintin Ruling
Good news for Tintinologists, if not guards of political correctness: Tintin in the Congo has been deemed “not racist” by a Belgian judicial adviser.
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Barrelhouse’s Wrestling Issue
Barrelhouse recently revamped their website, but that’s not even the most exciting news out of the D.C.-based literary outfit this week. No, sir. The most exciting news is that the magazine’s newest online issue is “focused on the theme of 1980s professional wrestling.” The list of contributors includes Aaron Burch, Matthew Duffus, and Jeannine Mjoseth.
TLAN:WOTFOB Excerpted
Reif Larsen’s “The Crying of Page 45” appears in this month’s issue of The Believer. This clever, inventive essay is excerpted from the book I co-edited The Late American Novel: Writers on the Future of Books. You can get a taste of the piece at The Believer website, but the full essay in all its illustrated glory is available in the print magazine as well as in, of course, the book.
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Writing Isn’t For Everyone
“I hate to break it to you but everyone does not, in fact, have a book in them.” For The Outline, literary agent Kate McKean writes about the difference between good stories and good books—and what it takes to write the latter. Pair with: an essay on the books that fight back
Against “Continental Categories”
“I don’t divide my friendships into continental categories. I don’t think: Today I’ll have lunch with my European friend, and tomorrow I will invite my Asian friend to the park. It would be silly of me to think of the authors I read in those terms. End of topic.” The (still relatively) new Literary Hub interviews Valeria Luiselli about the literary tradition, authors’s names, magical realism and her new novel, The Story of My Teeth.
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