Though Franzen would surely argue (in great excess of 140 characters) to the contrary, the excellent introductory essay from the latest issue of N+1 lauds Twitter for “the very last thing to have been expected from the internet: a renovation of the epigram or aphorism, a revaluation of the literary virtues of terseness and impersonality.”
Salon Culture 2.0
The Rooster is Nigh
At The Morning News, Rooster hosts Kevin Guilfoile and John Warner lay out "The Pre-Game Primer" for the Tournament of Books. The action kicks off tomorrow.
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Route Nine’s Alumni Omnibus: 50 Years in the Making
To celebrate the 50th anniversary of the University of Massachusetts Amherst MFA Program, the school’s literary magazine – Route Nine – gathered work from over 80 alumni to create a special Alumni Omnibus issue. The collection just went online recently, and it’s tremendous.
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Ask Her About Her Uterus
"Too often, a woman’s pain is not merely met with doubt, but suspicion, both within the medical community and outside of it." The New Republic writes about female pain, the medical community, and Abby Norman's book, Ask Me About My Uterus: A Quest to Make Doctors Believe in Women's Pain.
The Ghost of Playboy’s Literary Past
"We editors told ourselves the naked women were merely carnival barkers: they got an audience into the tent, but we kept them with the content." In the Guardian, Playboy's former fiction editor Amy Grace Loyd reveals what it was like to work at the magazine and how she commissioned work from writers like Donna Tartt, Margaret Atwood, and Junot Díaz. Read our review of Loyd's debut novel, The Affairs of Others.
Icon and Author
Louis Menand, Thessaly La Force, Amelia Lester, and David Haglund have come together to discuss the influence of literary powerhouse and cultural icon Joan Didion in The New Yorker’s Out Loud Podcast. Our own Michael Bourne calls Didion America’s Truth Teller in his review of her biography.
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The End of a Myth
When Hanna Rosin published The End of Men this year, the book stirred up a lot of controversy (and a number of parodies, to boot). Now Stephanie Coontz, a historian, takes issue with Rosin’s premise -- the “myth of male decline” -- in the pages of The New York Times Book Review.
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