Though Franzen would surely argue (in great excess of 140 characters) to the contrary, the excellent introductory essay from the latest issue of N+1 lauds Twitter for “the very last thing to have been expected from the internet: a renovation of the epigram or aphorism, a revaluation of the literary virtues of terseness and impersonality.”
Chances are you’ve heard that in a recent interview, Claire Messud responded to a patronizing question about one of her characters — “I wouldn’t want to be friends with Nora, would you?” — by giving her interviewer a smackdown that resonated across the blogosphere. At Page-Turner, several authors (including Rivka Galchen, Jonathan Franzen and Year in Reading alumna Margaret Atwood) offer their own takes on the matter of “likeability.” (There’s also this piece by our own Emily St. John Mandel to consider.)
Freudians know that Eros and Thanatos are opposites in the human psyche. The former, the love instinct, pushes us to survive, while the latter, the death instinct, pushes us to destruction. In an essay for Bookslut, Jelena Markovic explores the importance of Thanatos in daily life, using as an example a man she knew with an “instinct for nonexistence.”
Chances are you’ve heard that the most important thing a writer needs to make it in the modern lit world is luck. Undoubtedly, there’s a lot of truth to that, but what if there’s another factor that has a bigger impact on a writer’s success? Sean McElwee argues for the importance of something more prosaic.
David Fincher, who helmed the American cinematic adaptation of The Girl with the Dragon Tattoo, may join the team working on the film for Gillian Flynn’s Gone Girl. Flynn herself penned the first draft of the screenplay. As you wait (im)patiently for the project to get underway, you can take our own Michael Bourne’s advice and treat yourself to Flynn’s earlier books.