Say goodbye to Binky and Sheba, everybody. After 32 years, Matt Groening pulled the plug on his Life In Hell comic last week with this installment. If you’re unfamiliar with the strip, you can play a round of catch-up by scouring this German website’s 70-strip archive.
The CIA might just be America’s most literary government agency, no? Not only did they (maybe) help fund the early days of The Paris Review but, according to Eric Bennett, the group also funded the nation’s most prestigious and storied creative writing program. Over on Iowa Public Radio, you can hear some details.
"When it comes to the personal essay, we want so much and there is something cannibalistic about our desire. We want essayists to splay themselves bare. We want to see how much they are willing to bleed for us. This desire introduces an interesting tension for essay writers. How much should they bleed, and how much blood should they save for themselves?" Roxane Gay reviews Meghan Daum's The Unspeakable and reflects on the personal essay for The New York Times Book Review. Pair with our own Hannah Gersen's Millions review of the same book.
New this week: Voices in the Night by Steven Millhauser; Gutshot by Amelia Gray; The Dead Lands by Benjamin Percy; The Turner House by Angela Flournoy; The Fishermen by Chigozie Obioma; The Fair Fight by Anna Freeman; Lurid and Cute by Adam Thirlwell; The Given World by Marian Palaia; The Winter Family by Clifford Jackman; Diamond Head by Cecily Wong; and Whispering Shadows by Jan-Philipp Sendker. For more on these and other new titles, check out our Great 2015 Book Preview.