Say goodbye to Binky and Sheba, everybody. After 32 years, Matt Groening pulled the plug on his Life In Hell comic last week with this installment. If you’re unfamiliar with the strip, you can play a round of catch-up by scouring this German website’s 70-strip archive.
Rest in Hell
Updike the Cartoonist
“Updike stopped cartooning while he was an undergraduate at Harvard. This is a factually true statement, but it ignores a larger reality. While Updike might have ceased cartooning, the visual language of comics was never far from his mind. Cartooning was an inextricable strand in his creative DNA.” Jeet Heer writes about John Updike, cartooning, fandom and “bedesque” prose for The Paris Review. Pair with James Santel‘s Millions essay on “The Curious Paradox of John Updike.”
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Su Hui’s Masterpiece Palindrome
Chinese poet Su Hui composed an 841-character array in the fourth century that can be read forward, backward, horizontally, diagonally, and vertically. The poem, entitled “Xuanji Tu,” can be read in 2,848 different ways as a result.
Women Write the Apocalypse
How do women write about the apocalypse? Sloane Crosley considers, referencing work from Mary Shelley, P.D. James, Laura van den Berg and our own Emily St. John Mandel. Pair with these Millions interviews with van den Berg and Mandel. Unfortunately, Mary Shelley was unavailable for comment.
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Touring The Third Hotel
“I thought quite a lot about the vocabulary of tourism, the kinds of desires that vocabulary seems designed to ignite, and the promises made, and how those promises change or vanish altogether depending on who you are.” The Paris Review interviews Laura van den Berg about writing, tourism, and her new novel, The Third Hotel. From our archives: our 2015 interview with van den Berg.
Neil Gaiman Lane
The Ocean at the End of the Lane is now an actual lane. Neil Gaiman’s hometown, Portsmouth, England, named a bus lane after his novel last Sunday. Sadly, the magical Hempstock family doesn’t live at the end of it.
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“Getting Angry, Baby?”
The fiftieth anniversary of Who’s Afraid of Virginia Woolf? is coming up on October 13th, so to get ready, pour yourself a drink (or five), don your best academic tweeds, and read these interviews with playwright Edward Albee and audience members who attended the play’s original 1962 run.
Translation Matters
The Guardian reports that translated literary fiction sold almost twice as much as English-language fiction in the UK last year.