David Denby wonders: After nearly 150 years have passed since its initial publication and countless imitators have blunted its artistic radicalism does Dostoevsky’s Notes from the Underground still pack a punch? For more contemporary readings of Dostoevsky, see Rob Goodman’s recent article on forensics, The Brothers Karamazov and the death of the courtroom drama.
For the first time ever, this year’s National Book Foundation “5 Under 35” winners are all women. Congrats to Molly Antopol (The UnAmericans), NoViolet Bulawayo (We Need New Names, which was also just shortlisted for The Booker Prize), Amanda Coplin (The Orchardist), Daisy Hildyard (Hunters in the Snow), and Merritt Tierce (Love Me Back).
They’ve called him a sports icon, a “national nightmare,” an author, and a punchline. They’ve questioned the backlash against him, and tracked his particular brand of “muscular Christianity.” Coincidental religious symbolism has been noted. Yet so far nothing has come close to genius of Jimmy Fallon’s rendition of Tim Tebow as… TeBowie.
“This question of presence seems crucial to Tillman’s project. Her position in a text is tricky—she operates both inside and outside of it, which allows her to thwart distanced critical authority and also perform the aesthetic slippages she admires in others’ work.” On Lynne Tillman’s new story collection.