If novels are written to remind us of our mistakes and we keep repeating those mistakes, why read novels at all?, asks Alberto Manguel. Richard Lea discusses authors’ views on the relationship between the novel and memory at The International Forum on the Novel.
When I was young, my mother always told me I should eat my carrots so my vision would improve. For twenty four years, I’ve obeyed. But now it seems I’ve been living a lie all this time. (Bonus carrot link: the most common type used to be purple, but orange was normalized to please the Dutch monarchy.)
Dave Eggers’ latest, A Hologram for the King, is out today. Also out this week is an under-the-radar, new effort from Richard Russo, Interventions, a collection that’s a collaboration with his artist daughter Kate Russo. Sheila Heti’s How Should a Person Be? is out (Don’t miss our illuminating interview). And Michael Frayn has a new novel, Skios. More new fiction: Don Winslow’s The Kings of Cool (a prequel to Savages), Joshua Henkin’s The World Without You, and Carol Rifka Brunt’s Tell the Wolves I’m Home. In non-fiction, There’s David Maraniss’ Barack Obama: The Story.
“As I let the shotgun drop the butt hit the bricks and the second shell fired into me…” This excerpt from Homero Airdjis’s upcoming The Child Poet, is fraught with elements of tension and discovery. Something of a künstlerroman, the book tracks Airdjis’s artistic and poetic development from his boyhood through the present day.
Elmore Leonard is set to receive the 2012 Medal for Distinguished Contribution to American Letters, which has been awarded annually by the National Book Foundation since 1988. The medal is intended to recognize the achievements of “a person who has enriched our literary heritage over a life of service, or a corpus of work.”