The New York Times looks back on Nora Ephron’s career and celebrates her distinct tone. EW has collected some of the best quotes from her books. Ariel Levy recalls her first encounter with Ephron’s “funny, frank, self-effacing but never self-pitying, and utterly intimate” voice.
When high fashion and the life of a working writer combine: on Jessica Francis Kane's New York Fashion Week debut.
“There is a wide range of art in the world, but there is an urgent need for art that pushes us and makes us uncomfortable because it forces us to think, to question, to give into it, to resist.” Year in Reading alum Roxane Gay writes on Internet censorship and Dennis Cooper’s now deleted blog.
Want to publish anonymously (and then stay that way)? Be thankful you're not friends with Charles Dickens.
The first teaser trailer for The Counselor was released today. The film, which is directed by Ridley Scott and written by Cormac McCarthy, will star Michael Fassbender, Brad Pitt, Javier Bardem, Cameron Diaz, and Penélope Cruz among others. As you bide your time before its November release date, treat yourself to a sneak peek of McCarthy's screenplay over here.
Sam Tanenhaus, editor of the New York Times Book Review, talks to Noah Charney about his life, his work, and his taste in books. Answers are typical but insightful, with one incredibly colorful exception: Tanenhaus’s ideal workplace is bizarre. (Hint: The atmosphere falls somewhere between a nuclear fallout shelter and the kind of place you would keep a hostage and it’s nothing like where we write.)
Electric Literature held a Twitter contest recently in which their followers invented new literary neologisms for a chance to win copies of Carson Mell’s new e-book Saguaro. For my money, the clear winner was “Vonnegutsy: having the fortitude to mix aspects of genre fiction with literary fiction.”