In an interview with the Guardian about Canada, Richard Ford talks about America: “I never had much conceptual idea of Canada being better. But whenever I go there, I feel this fierce sense of American exigence just relent. America beats on you so hard the whole time.” Also see: Michael Bourne’s review of the novel.
“Due to its adult subject matter, it was the first animated film to receive an “X” rating (or “suitable for those aged 16 and over”) in the UK.” Open Culture features a creepily fantastic animated adaptation of Edgar Allan Poe‘s classic story “The Tell Tale Heart,” noting that the nearly 8-minute short was voted the 24th greatest animation of all time in a survey of animation professionals. And Poe’s macabre creation made our own list, from earlier this year, of literature’s greatest walls.
Haruki Murakami’s love for jazz is no secret – he used to own a jazz bar, he’s written full essay collections on the music, and his books are peppered with references to jazz songs and musicians. How fitting, then, that there’s finally a playlist of jazz songs mentioned in Murakami’s writings. Pair with our many past essays on Murakami.
Recommended Reading: Can desire thrive without freedom? On the works of Margaret Atwood and Michel Houellebecq in The Atlantic. Our essay on Atwood’s vision of the future and review of Ben Jeffery’s Anti-Matter: Michel Houellebecq and Depressive Realism pair nicely.
“Shouldn’t we all feel a little embarrassed about the fuss we made over 50 Shades of Grey?” Jessa Crispin writes for the Los Angeles Review of Books about E.L. James’ trilogy and some of the longer responses, including Hard-Core Romance, which we briefly covered a few months ago.