In an interview with the Guardian about Canada, Richard Ford talks about America: “I never had much conceptual idea of Canada being better. But whenever I go there, I feel this fierce sense of American exigence just relent. America beats on you so hard the whole time.” Also see: Michael Bourne’s review of the novel.
People who should feel rooted, but rarely do.
Poets and Tomatoes
“We are hermits, that is true. We live in tiny rooms, and we stay in those rooms hours upon hours every day, every month, every year. But we also like to walk around and throw ourselves into big crates of tomatoes, and roll around in them, and then get up all tomato-stained.” Poet Laureate Juan Felipe Herrera talks about living life as a poet (which apparently includes a lot of tomatoes) in an interview with the Guardian.
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“What fascinates me are the turning points”
At The Guardian’s website, Hilary Mantel reflects on her second Booker Prize, awarded to the author for her new novel, Bring Up the Bodies. Mantel is the first woman to win the prize more than once.
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A Drawn Out Illustration
Twelve days after Gustave Flaubert died, a friend cataloged the writer’s personal effects. 48,311 days later, Joanna Neborsky illustrated them.
Start Stockpiling Tissues Now
Casting for Josh Boone’s movie adaptation of John Green’s The Fault In Our Stars is coming together nicely. This past week, it was announced that Laura Dern has joined the cast as the mother of Hazel Grace Lancaster (Shailene Woodley). Production is set to begin next month. A few months back, our own Janet Potter wrote that, “besides a small infinity of other things, [this book] will make you cry.”
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Pink Matter
No doubt inspired by the musical stylings of Ricky Rozay (aka Rick Ross), Peter Foges set out to investigate the origins and present state of pink champagne.
Books on the Radio
In case you missed it the first time, Tulsa’s KWGS the week re-aired an interview with my co-editor Jeff Martin on our book that came out earlier this year, The Late American Novel.
Penchant for Snobbery
In The Nation, Mark Oppenheimer reviews Janet Malcolm’s Forty-one False Starts, which includes the New Yorker staff writer’s early works of criticism. The problem, he writes, with her and most Western critics? “She is a snob, but wishes she weren’t.” (ICYMI: we published a review a few weeks ago.)
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