In an interview with the Guardian about Canada, Richard Ford talks about America: “I never had much conceptual idea of Canada being better. But whenever I go there, I feel this fierce sense of American exigence just relent. America beats on you so hard the whole time.” Also see: Michael Bourne’s review of the novel.
New this week: The Heart Goes Last by Margaret Atwood; Gold, Fame, Citrus, by Claire Vaye Watkins; Vertigo by Joanna Walsh; Syllabus of Errors by Troy Jollimore; The Good Story by Nobel laureate J.M. Coetzee and Arabella Kurtz; I Must Be Living Twice by Eileen Myles; and The Complete Works of Primo Levi. For more on these and other new titles, go read our Great Second-Half 2015 Book Preview.
"Their staff is always sharp, and they seem to cover politics more robustly now. But through the 1960s there were so many political trends they ignored, pretending to be focused on craft and art for art's sake." An interview with Joel Whitney about his forthcoming book Finks: How the C.I.A. Tricked the World's Best Writers, which tells the story of how the intelligence agency helped found The Paris Review. With this backstory in mind, you may read the journal's author interviews in an entirely new way.
"What makes a word 'real'?" Should groan-inducing words like "adorkable" be counted? Anne Curzan, language historian, gives a Ted talk about the human element in dictionaries and the importance of slang.
“I thought it was going to be a short novel, that it was one person’s story. But I was wrong, because history is always shaping everything.” The New York Times reviews Marlon James's latest novel, A Brief History of Seven Killings, which we covered in our "Great Second-Half 2014 Book Preview."
Shall I compare thee to a wormhole? No, this essay on astrophysics and poetry coupled with a poem for Stephen Hawking is most definitely more lovely. Kalpana Narayanan wrote an essay for The Millions on physics, grief, and Paul Murray's Skippy Dies that may pique your interest.