The summer issue of Prairie Schooner has a short story of mine in it, as well as other good stuff, for most of which a subscription is required. You don’t need one, however, to read this short interview (very much in keeping with the Where We Write theme).
P.S.
Regietheather
Is that a severed prostitute’s nipple in my Mozart? At City Journal, Heather MacDonald mourns the rise of slick, irreverent productions of classical operas in Europe known as Regietheater (director’s theater), a theory of opera direction that holds the director’s take on an opera to be as (0r more) important than the artist’s text.
In Defense of Criticism
Glen Duncan, author of the genre novel The Last Werewolf, opened his New York Times review of Colson Whitehead‘s Zone One with this controversial line: “A literary novelist writing a genre novel is like an intellectual dating a porn star”. Understandably, this led to some uproar. Now he’s doubling down on his stance.
The Agony and Ecstasy of a TAL Fact Checker
Surprising news emerged today about This American Life‘s Mike Daisey episode on Apple’s Foxconn subcontractors (previously mentioned on The Millions here, and later here). Apparently portions of Daisey’s visit to Chinese Foxconn factories were fabricated, and TAL‘s producers failed to ensure factual accuracy because he misled their efforts. As a result, the show has retracted the broadcast (PDF), Daisey has issued a statement of defense, and the next TAL episode will cover the entire fiasco.
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The Pointless Adventure
Many writing guides feature long explainers that detial how to craft a great plot. They’ve turned the phrase “rising action” into a buzzword in many classes. At Page-Turner, a short comic illustrating major plots that don’t work, including one in which the protagonist “ignores the problem until it goes away.”
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To read or NA to read
“You should feel embarrassed when what you’re reading was written for children,” Ruth Graham wrote in Slate last week, stirring the proverbial pot of new adult fans of Young Adult bestsellers like The Fault in Our Stars and Eleanor & Park. A host of YA-defenders rose up to shout her down. “You should never be embarrassed by any book you enjoy,” Hillary Kelly responds in The New Republic, unrealistically (we’re embarrassed by quite a lot). For the Washington Post, Alyssa Rosenberg cites examples of worthwhile, complex YA fiction we can certainly support: The Chronicles of Narnia, The Pushcart War, A Wrinkle in Time, and The Westing Game.
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So I’m Reading with an Axe Murderer
Matt Seidel has a helpful guide for book clubs across the country: How To Tell If Someone In Your Book Club Is a Homicidal Maniac. One possible clue? He contributes to the Water for Elephants discussion by “telling anecdotes about torturing animals as a child.”
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City On A Hill
“I was born in the lair of Romulus and Remus, Washington D.C.” And The Los Angeles Review of Book’s interview with the late Gore Vidal just gets better from there.
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New Hardcovers with Paul Ingram
Watch beloved bookseller at Iowa City’s Prairie Lights Paul Ingram talk about this season’s best hardcovers. I loved getting his recommendations in person, and this is almost–almost!–as good. (via.)
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