Mary Ruefle, author of the forthcoming Madness, Rack, and Honey, wrote a poetic essay on the subject of fear. It’s chock full of lines like this one about why she likes the word dread more than the word fear: “because fear, like the unconscious emotion which is one of its forms, has only the word ear inside of it, telling an animal to listen, while dread has the word read inside of it, telling us to read carefully and find the dead, who are also there.”
A literary event with an extremely star-studded guest list will be held next month for a good cause. The World’s Most Literary Rent Party Ever will raise money for author Charles Bock’s wife, who is receiving treatment for leukemia, and will include Jonathan Franzen, Jonathan Safran Foer, Mary Gaitskill, Joshua Ferris, Rivka Galchen, Amy Hempel, Nicole Krauss, Rick Moody, Richard Price, George Saunders, and quite a few others.
The practice of naming children after a dead sibling was surprisingly common up until the late-nineteenth century–Salvador Dali, Ludwig Van Beethoven, and Vincent Van Gogh were each “necroynms,” or the second of their name. Jeannie Vasco’s essay for The Believer on necronyms and grief is perfect to read alongside this essay for The Millions by Chloe Benjamin on naming not humans, but novels.
“Most poems are rooted in a powerful emotion. With visuals and details of violence against women being flashed every second on TV and debated by different groups, it is only natural that such incidents become themes in our writing,” says Bindya Subba, who is one of several Indian poets writing response pieces to the recent rape incidents in Delhi and Mumbai.