Here’s a fascinating article by Aatish Bhatia about “how we gave colors names, and it messed with our brains.” Grab a seat; this is a good one.
On Colors and the Mind
Genuinely Weird
Jeff Vandermeer‘s Southern Reach trilogy: a genuinely weird work of ecological fiction, a hyper-object, or a strangely beautiful “glimpse of a whole that’s, by its nature, unknowable”? Joshua Rothman argues for all three in a review for The New Yorker. For more from Vandermeer himself, check out his Millions interview with Richard House, author of The Kills.
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A primer on the vast, ever-expanding universe of smut
If 50 Shades of Grey is not quite up your alley but you’re looking to read more shameless smut, then you’re in luck. New York magazine has compiled a field guide for the trepidatious romance reader. And there are infographics!
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Break-Up Letter
“Did not really sleep: no Xanax / yesterday, which means I won’t sleep, / then the next night is usually OK, / Xanax or no. It’s Christmas Eve / in Spain, the important day. We’ll / break Dorota’s wafer. My mood / is less good than yesterday when / I would call it ‘normal’.” A few new poems by Kathryn Maris at 3:AM Magazine.
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An Act of Creation and Destruction
Recommended Listening: David Naimon interviews Year in Reading alumnus Jesse Ball about his latest book, How to Set a Fire and Why—one of the most anticipated books of 2016.
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“There’s a quiver in the dead flesh.”
Recommended Viewing: Robert Bly reads his poem, “The Dead Seal at McClure’s Beach.”
Miss Masterpiece
“The blackly comic energy of Nathanael West’s Miss Lonelyhearts—its caustic ebullience, the strange buoyancy of its suffering—is a remarkably American achievement, a kind of death-dance capered on the corpse of a vividly rendered early 1930s Manhattan.” On Miss Lonelyhearts, the darkest American masterpiece.
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