Ever thought that writing a novel was like a video game you just couldn’t win? In the new video game The Novelist, players count pages not bodies as they try to help the protagonist balance writing with his family life. “There’s no winning or losing,” designer Kent Hudson said. “[M]y hope is that as you’re presented with the same fundamental question … over the course of the game, that you start to learn about your own values.”
At The Collagist, Kyle Beachy imagines the emperor Augustus saying to the poet Horace, “You and your kind are fucked!” “The Extent of Our Decline” is one of number of essays appearing in the collection I co-edited, The Late American Novel: Writers on the Future of Books, coming in March from Soft Skull.
Now, Vintage asks: what will be the classics of the future? (via Maud)So, I don’t get it. Did Bob Woodward have this book waiting in a desk drawer until Deep Throat’s identity was revealed? Woodward is a good journalist, but he may be a better businessman. USA Today scored a copy a week early and reveals some Watergate-era tidbits here.I got a free trial download from Audible.com, the digital audiobook store. I selected Under the Banner of Heaven by Jon Krakauer. The downloading process was very quick and easy. I’ll let you know how the listening experience is once I find time to check it out.
Why aren’t more people reading Italian literature? Is it due to an English “mistrust of ‘abroad’?” “Linguistic incompetence?” Or is it that “Italy’s not produced much that’s exciting or innovative … for a few hundred years?” Peter Hainsworth, author of Italian Literature: A Very Sort Introduction, investigates.
Anaïs Nin had a lot to say about writing erotic fiction. Notably, she was unwilling to “leave out the poetry” and “concentrate on sex” in its place, despite repeated requests from her anonymous client to do just that. On a lighter note, Seth Fried also has some advice for aspiring writers of erotica. Quick, somebody get both of these articles to E. L. James.
In a TED Talk, Erez Lieberman Aiden and Jean-Baptiste Michel show us how Google Labs’ Ngram Viewer works. You can learn “surprising things” from 500 billion words, a string of characters which put together “would stretch from here to the Moon and back ten times over.”
Two hotly anticipated collections of stories are out this week: Nathan Englander’s What We Talk About When We Talk About Anne Frank and Dan Chaon’s Stay Awake. Also new this week are Katherine Boo’s Behind the Beautiful Forevers, Ramona Ausubel’s No One is Here Except All of Us, which she wrote about here recently, Dalkey’s new edition of The Recognitions by William Gaddis, and a new volume of William S. Burroughs’ letters.