Tired of reading Mark O’Connell’s articles in silence? Check out his two pieces in The Racket, the first of which features attached audio from the author himself, and the second features an embedded video with Sam Bungey, the publication’s editor. Consider Mark’s reading Exhibit B in the case for Irish Accents Improving Everything, which I brought forth last week.
“The blackly comic energy of Nathanael West’s Miss Lonelyhearts—its caustic ebullience, the strange buoyancy of its suffering—is a remarkably American achievement, a kind of death-dance capered on the corpse of a vividly rendered early 1930s Manhattan.” On Miss Lonelyhearts, the darkest American masterpiece.
“The immigrant who arrives too late in life to adapt to his new country, but too early to survive on nostalgia for the old country, has to create a third, imagined country to live in.” Peter Pomerantsev writes for the London Review of Books about Brighton Beach, Russian immigrants and a “self-made America.” Pair with Matthew Wolfson‘s review of Yelena Akhtiorskaya‘s novel of Brighton Beach and Odessa, Panic in a Suitcase.