Meet Ira Silverberg, the National Endowment for the Arts’s new literary director.
Writers have long been attracted to duels, if only because, for the most part, they offer an easy way to ramp up the conflict in a story. At Page-Turner, James Guida takes a look at their enduring relevance, with reference to the history of the duel in Europe. Pair with: our own Nick Moran on duels in Russian literature.
A basketball player gets kicked in the testicles and hundreds of news outets have to figure out how the heck to write about it: “Different outlets have different comfort levels when writing about the crotch. The New York Times, for example, threw idiomatic English out the door on first reference: ‘Exhibit A was that [Draymond] Green picked up a flagrant-1 foul — while hacked in the act of shooting — with 5 minutes 57 seconds left in the half by flailing a leg between those of Steven Adams, who wound up doubled over.'”
Moist-haters, unite: why do some people despise the sound of certain words?