New Yorkers! Come out tonight and meet Edan Lepucki. She’s giving a reading alongside Alexander Chee and Baratunde Thurston, and the whole thing’s being hosted by our friends at Tumblr and Housing Works Bookstore.
Meet Edan Lepucki!
Tuesday New Release Day: Canin; Jansma; Majka; Griffin; Kennedy; Perabo; Dacey; Montes
Out this week: A Doubter’s Almanac by Ethan Canin; Why We Came to the City by Kristopher Jansma; Cities I’ve Never Lived In by Sara Majka; Hide by Matthew Griffin; The Blue Hour by Douglas Kennedy; Why They Run The Way They Do by Susan Perabo; We’ve Already Gone This Far by Patrick Dacey; and Perfect Days by Raphael Montes. For more on these and other new titles, go read our Great 2016 Book Preview.
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Cormac McCarthy’s Typewriter
On Friday, Christie’s will be auctioning off Cormac McCarthy‘s Olivetti manual typewriter, which he’s had since 1963. Looks like you need to make sure you’ve got at least $15,000 in your checking account if you plan on bidding. (NY Times article here)
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“Friedlander’s portraits do not feel celebratory”
In his review of Lee Friedlander’s collection, Playing for the Benefit of the Band: New Orleans Music Culture, Nathaniel Rich remarks on the “unsettling beauty” of the artist’s photographs.
Melodious Sound Patterings
“Reaching the end of a Babstock poem, I often felt (and still often feel) stunned into a kind of numinous awe.” Stewart Cole for Partisan on Ken Babstock and the state of Canadian poetry. Continue with confidence on your quest through the Canadian canon with the help of this guide by our very own Michael Bourne.
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A Brief History of Gay Liberation
“If the taglines used to market lesbian, gay, bisexual, and transgender Americans to the country’s mainstream—‘Love Wins,’ ‘It Gets Better,’ and ‘You Can Play’—have led to unprecedented levels of inclusion and visibility, it is precisely by shoving sex aside and presenting gay people and straight people as essentially the same at heart. In the process, as the outsider status attached to being gay disappears in more and more contexts, some of gay culture’s radical roots risk being expunged from memory.” On Jim Downs’s Stand by Me: The Forgotten History of Gay Liberation.
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Of Man’s First Disobedience
Simon DeDeo writes for AGNI about the first line of Paradise Lost, John Milton’s first disobedience. As he explains it, “The line is a syllable too much. In Milton’s blank verse epic—iambic pentameter, five sets of two-syllable feet—the opening has eleven syllables, not ten.”