Kenyan author Ngũgĩ wa Thiong’o’s moving speech at The Sunday Times Literary Awards in which he speaks about the resilience of literature and the necessity of keeping less-popular languages alive is now available online. (Here’s our handy guide to pronouncing the author’s name, in case you were too embarrassed to ask.)
Ever wonder what writing contests do with the money they earn from entrance fees? Poets & Writers has posted detailed 2011 budgets from three of the country's most prestigious book prizes, collected as part of my piece in the May/June issue of the magazine on the economics of writing contests.
Hitchens looks back at the Rushdie fatwa and its legacy of censorship.The Feltron 2008 Annual Report"The Governor and the Glove" - an encounter with BlagojovichJoseph O'Neill remembers Updike (via TEV)Ted Leo performs Bruce Springsteen's "Dancing in the Dark."The Paleolithic era of online news.TNR reviews Outliers: "It is an axiom of Malcolm Gladwell's method that a perfect anecdote proves a fatuous rule."
"I think the key to social media for authors is remembering this: its main purpose is really to show that you are a real human being who lives in this world." Year in Reading alums (respectively) Celeste Ng, Alexander Chee, Roxane Gay, and Adam M. Grant talk to LitHub about how to be a writer on the internet.
The headliners this week are on the non-fiction side: Michael Pollan's Cooked and Let's Explore Diabetes with Owls by David Sedaris. Also new in non-fiction: Top of the Morning: Inside the Cutthroat World of Morning TV by the Times' Brian Stelter and Daily Rituals: How Artists Work by Mason Currey. In fiction: The Humanity Project by Jean Thompson, The Pink Hotel by Anna Stothard, Paris by Edward Rutherfurd, The Golem and the Jinni by Helene Wecker, and The Enchanted Life of Adam Hope by Rhonda Riley.
"I can’t remember another single work of art ever having had that immediate and powerful an impact, which of course makes the experience quite impossible to describe. As I experienced it, it drove me out of my wretched mind ... I do know that I knew immediately that my sense of what science fiction could be had been permanently altered." William Gibson on having his world rocked (and artistic sensibilities altered) by Chris Marker's 1962 short film La Jetée.