Electric Literature’s posted a story by Jesmyn Ward, author of the reigning National Book Award-winning novel Salvage the Bones, as part of their ongoing Recommended Reading series. It’s worth checking out. Likewise, I recommend getting your hands on the latest issue of Oxford American so you can check out Ward’s inaugural “Native Daughter” column.
“I say peel back the immediate surface layer and let’s see what’s actually underneath, if it’s possible to find that out. As a child, of course, I grew up looking under dead logs to see if there might be a newt. Most of the time there wasn’t a newt. Sometimes there was.” Margaret Atwood talks newts and skepticism in a new interview over at Hazlitt. Atwood’s newest, The Heart Goes Last, is out now.
Nick Offerman is a jack of all trades—since leaving Parks and Recreation, he has performed in a stage production of A Confederacy of Dunces, and now he’s about to publish his third book, Good Clean Fun: Misadventures in Sawdust at Offerman Workshop. He sat down for an interview with Etsy this week.
As John Steinbeck’s classic Travels With Charley nears the half-century mark, a writer has retraced the author’s cross-country journey and come to the conclusion that the resulting book was full of inaccuracies and outright fabrications. The journalist Bill Steigerwald, whose article appears in the current issue of the libertarian quarterly Reason, says he didn’t set out to trash the Nobel laureate. “As a libertarian, I kind of liked the old guy,” Steigerwald tells the New York Times. “He liked guns; he liked property rights.”
New this week: Pushkin Hills by Sergei Dovlatov; The Divorce Papers by Susan Rieger; Hyde by Daniel Levine; Cambridge by Girl, Interrupted author Susanna Kaysen; Decoded by Mai Jia; Visible City by Tova Mirvis; The Moon Before Morning by W.S. Merwin; and Caribou by Charles Wright.