Ben Lerner has a story [subscription required] in this week’s New Yorker that, like his debut novel Leaving the Atocha Station, features a protagonist named The Author. The magazine interviewed Lerner about the invitation to blur his fiction with his autobiography. He says that his work in an exercise in “activating those questions in peculiar ways—but the questions, not the answers, are what strike me as interesting.”
“I don’t believe the reader needs to know anything about me.”
On Reading and Personality Disorders
“Six thousand books is a lot of reading, true, but the trash like Hell’s Belles and Kid Colt and The Legend of the Lost Arroyo and even Part-Time Harlot, Full-Time Tramp that I devoured during my misspent teens really puff up the numbers. And in any case, it is nowhere near a record. Winston Churchill supposedly read a book every day of his life, even while he was saving Western Civilization from the Nazis. This is quite an accomplishment, because by some accounts Winston Churchill spent all of World War II completely hammered.”
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Talk about Graphic Novels
Why do we strain ourselves to apply scientific methods to the humanities, when the results of such studies always miss the point, asks Maria Konnikova. For those looking to do some field research on the fruits of the growing digital humanities movement before condemning them, the latest issue of the Journal of Digital Humanities is packed with interesting (and chart-filled) reads.
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“I knew what I wanted to do all my life. I wanted to write senior theses.”
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Isaac Asimov Takes on ‘The Bible’
What happens when one of the "Big Three" science fiction writers decides to take on the most widely read book in the world?
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Start Again
Lucky Alan, which came out in February, is Jonathan Lethem’s first new story collection in more than ten years. He talked with Matt Bell about it in an interview at Salon. “What’s great about short stories is the opportunity to play at reinvention; all those new departures, all those new landings to try to stick,” he says. You could also read our review of his novel Dissident Gardens.
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The King of Horror’s Poetry
“Perhaps this is why King favors prose—many of his novels and stories confront terror so enormous it transcends poetic language.” In Poetry Foundation, an essay about Stephen King‘s little known literary habit: writing poetry. Pair with: our editor Lydia Kiesling on discovering America through King’s novels.
Note: protagonist of Ben Lerner’s novel is “Adam Gordon,” not “The Author.”