Some criminals in my home town of Calgary, Alberta, were recently picked up in a drug bust. Their drugs, weapons, and cash were all confiscated. But did the cops take away their autographed copy of Crime School: Money Laundering? Full credit: Moby Lives totally scooped us on this thrilling story of criminal readers.
The publishing industry is roughly 86% white. Yet comparative titles, or “book comps,” are whiter still, the L.A. Review of Books has found, arguing that this makes it exceptionally difficult for writers of color to place their books with imprints at Big Five publishers. “Comps,” in other words, “perpetuate the status quo.” Here’s how.
Object narrative (n): a story told through meditations on various physical objects. Examples include Edmund de Waal’s The Hare with Amber Eyes; Neil MacGregor’s A History of the World in 100 Objects; and Paula Byrne’s The Real Jane Austen: A Life in Small Things.
“The best thing I ever do for my writing is to take a walk alone in the woods behind our house. Nothing else gets my writing juices flowing so well. And yes, I think that I absolutely need more quiet in our current fractured world.” For Poets & Writers, novelist Leesa Cross-Smith interviewed fellow writer Silas House about quiet books and the importance of nature in the writing process. Pair with: our own Emily St. John Mandel on the pleasures of quiet books.
By the age of twenty-one, Eugene O’Neill had dropped out of Princeton, fathered a child and caught syphilis on a trip through South America. He was, in his own words, “the Irish luck kid,” blessed in a strange way with misfortune. Yet he went on to win a Pulitzer eleven years later. How did he do it? In the LRB, John Lahr reads a new biography of the playwright.