Some criminals in my home town of Calgary, Alberta, were recently picked up in a drug bust. Their drugs, weapons, and cash were all confiscated. But did the cops take away their autographed copy of Crime School: Money Laundering? Full credit: Moby Lives totally scooped us on this thrilling story of criminal readers.
How to Commit True Crimes
Early Starts
Sick of feeling inadequate compared to your literary peers? Well, you might want to stop reading, then: turns out Adam Thirlwell published his first book when he was three. (The readers of Granta learn this not from Thirlwell, who seems a bit abashed, but instead from Year in Reading alumnus Jeffrey Eugenides.)
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Edan’s Story is The Standard
Our own Edan Lepucki’s “Ambulance of Boys” was one of the finalists in the Standard/Warby Short Story Contest. You can read check out all of the winners over here. (Edan’s is on page 8.)
Visual Stories
If you haven’t seen Knopf art director Chip Kidd’s humorous TED Talk yet, you should really get right on that. He makes a good “visual first impression,” discusses the role of a book designer, the smell of an iPad, and does it all while wearing a “skanky mic.”
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On Genre
Recommended Reading: On the tricky topic of genre. Kate Axelrod writes about her experience when her adult novel was marketed as YA. You could also read our article about why many authors are writing genre fiction.
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The White Knight
Ryan Topper writes for Public Books about Netflix’s Beasts of No Nation and rejects the white savior plot that characterizes many child-soldier narratives. Pair with Noah Deutsch’s Millions review of the novel on which the series was based.
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How to Build a Book
“One Friday evening in March, I took the train to Columbia University and walked into one of the strangest and most interesting classes I’d ever seen. It was the Laboratory of Literary Architecture, part of the Mellon Visiting Artists and Thinkers Program at Columbia University School of the Arts, and a multimedia workshop in which writing students, quite literally, create architectural models of literary texts.”
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