“Baker is such a wonderful prose stylist that he could probably get away with publishing his diary—which, for epic stretches, is what Substitute feels like.” Over at The Nation, Evan Kindley reviews Nicholson Baker‘s latest, a 700-plus-page non-fiction exploration of substitute teaching. Spoiler: it’s not as sexy as Baker’s other work. If it’s the sex you want, see our primer on Baker’s novels; also immensely entertaining, our interview with the author from 2013.
For Ploughshares, Emilia Phillips writes about “the corporeality of the lyric.” As she puts it, For some, the act of writing about the body is not necessarily the inclusion of the body as a poem’s subject but the body as the vehicle for the poem. Think of how repetition recalls movement, dancing. Think of how good a rhyme feels in the mouth.”
“Insanity, madness, obsession, math, objectivity, truth, science and art. These friends always impress me. They’re sculptors and tailors, not scientists or spies. I’ve chosen them with the peculiar attentiveness of a shell collector stupidly combining the overwhelming multitude of broken detritus to hold up one shell so beautiful that it finds its way into my pocket, lining my clothes with sand. And then another. Not too many, so that the sheer number could never diminish the value of one.” On madness and genius with cosmologist Janna Levin.