In this week’s London Review of Books Elif Batuman has a great piece about Orhan Pamuk’s Museum of Innocence, both the book and the place. It would pair well with our own Lydia Kiesling’s award-winning essay on the book from 2010.
A while back, I wrote about Dear Committee Members by Julie Schumacher, which may be the first novel in history written entirely in the form of recommendation letters. Now, at The Rumpus, Anjali Enteti sits down with Schumacher, who talks about writing by hand, the adjunct crisis, and why it’s okay that so many people are getting MFAs. You could also read our own Nick Ripatrazone on why MFA grads should teach high school.
With past contributions by Joyce Carol Oates, Yusef Komunyakaa and Dana Goodyear, The Rattling Wall (which gets funding from PEN Center USA) appears to have no problem attracting prominent writers. For a limited time, get a three-year subscription at a discount of close to fifty percent.
As literary genres go, bathroom graffiti ranks somewhere between obscenities carved into desks and poorly spelled comments in terms of respectability. Yet it’s still a form that could reveal interesting things, which is why a group of researchers took a series of fact-finding trips to public stalls across America. Their takeaway? “The mere fact of being in a public bathroom could be skewing how people choose to present themselves when they uncap that Sharpie.” Related: Buzz Poole on The History of American Graffiti.