In this week’s London Review of Books Elif Batuman has a great piece about Orhan Pamuk’s Museum of Innocence, both the book and the place. It would pair well with our own Lydia Kiesling’s award-winning essay on the book from 2010.
“The book documents its time, a time when homosexuality was illegal, and still described in medical books as a mental illness. It is one of the best firsthand accounts of what it was like to be gay in the mid-20th century — ostracized — separate from the mainstream world. It reveals, through its characters, how young men couldn’t admit, even to themselves, that they were what society deemed perverted.” On the novel City of Night by John Rechy.
What’s the greatest tool to create suspense? An unreliable narrator, according to Gillian Flynn, who is a master of them if you’ve read Gone Girl. She discussed how to write a good thriller, why she doesn’t believe in guilty pleasure reading, and her ambitious quest to read every Pulitzer Prize-winning novel in chronological order in a New York Times “By the Book” interview. Pair with: Our conversation about Gone Girl.
This article on M.F.K. Fisher, the godmother of American food writing, should be catnip for those of you who like reading about food almost as much as eating it. A onetime French expat, Fisher conducted “a one-woman revolution in the field of literary cookery,” most notably with her collection of essays The Gastronomical Me. (Back in 2010, Jessica Ferri wrote about Fisher for The Millions.)
A San Francisco prisoner wanted to read werewolf erotica so badly that he took it to state court. The case has brought up problems with prison censorship and calls to mind Avi Steinberg’s memoir, Running the Books: Adventures of an Accidental Prison Librarian (here’s our review.)