I’ve mentioned my love for the movie recommendation site Netflixia before, but if you find its selection a little predictable or tame, you should give try out some of the titles on Christopher Higgs’ list of “The 50 Best Movies on Netflix Instant.” (Note: some of the list’s images might be a bit racy for work.)
“If I have a critique of American letters, it’s that the average American doesn’t read broadly enough, not enough work in translation, that we’re too isolated, too narrow in our reading habits, still too locked into boxes like the one built out of white male heteronormativity.” M. Bartley Seigel, outgoing co-editor of PANK Magazine, on his impressions of American literature. Pair with our piece on the submission processes at literary magazines.
Superagent Andrew ("The Jackal") Wylie disses the e-book and modern publishing's "wild weekend in Las Vegas approach" to book acquisition in the Wall Street Journal Magazine. But the best part is an online slide show depicting Wylie's journey from a wild-eyed hippie cabbie in 1971 to the uberwasp wheeler-dealer that he is today.
We hear a lot about the books writers read while drafting their own novels and stories. But we don’t hear as much about the music, TV shows and other forms of art that kept them going throughout the process. At Page-Turner, Amy Bloom catalogues the influences on her latest novel.
Out this week: The Magician's Land by Lev Grossman; The Kills by Richard House; When the World Was Young by Elizabeth Gaffney; Secrets of the Lighthouse by Santa Montefiore; The Scatter Here is Too Great by Bilal Tanweer; Ride Around Shining by Chris Leslie-Hynan; Painted Horses by Malcolm Brooks; The Liar’s Wife by Mary Gordon; The Dog by Jack Livings; Bluff City Pawn by Stephen Schottenfeld; Beneath the Neon Egg by Thomas E. Kennedy; 2 A.M. at The Cat’s Pajamas by Marie-Helene Bertino; and Bad Feminist by Year in Reading alum Roxane Gay, who also came out with a novel a few months ago.
The new book release schedule is slow in December, but the third book in Javier Marías' acclaimed Your Face Tomorrow trilogy is now out, Poison, Shadow, and Farewell. Also, new on shelves is The True Deceiver, a 1982 novel by the Finnish writer Tove Jansson from NYRB Classics.
During the Cold War, the CIA became entrenched in cultural life through an organization named, ironically enough, the Congress for Cultural Freedom. In order to fight communism, they funded socialist artists. The Awl has compiled a list of literary journals, including the Kenyon Review and The Paris Review, that were once supported by the CIA.