GZA has teamed up with top cosmologists and physicists from MIT and Cornell to produce his latest album, Dark Matter. The album is the first in a series “designed to get a wide audience hooked on science.”
“God put the needle on the disc of Saturn / The record he played revealed blueprints and patterns”
Do I Dare to Eat a Banana?
“She didn’t even want to be anything. She just wanted to be able to sit in a room and not feel tortured by it, which is sort of the human condition in general. Eileen isn’t dreaming of leaving home and making it in the big city on Broadway. She just wants to go and eat a banana, you know?” Ottessa Moshfegh on her new novel, Eileen, for The Rumpus.
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South Africa, 2010
The last of the World Cup qualifying matches wrapped up this week and the final list of qualified teams is in. See the list of the 32 qualified national teams headed for South Africa in 2010 here.
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So What? He Says
Following the Irish release of The Guts, the new Roddy Doyle novel that brings back Jimmy Rabbitte from The Commitments, The Irish Times interviews Doyle, who remembers a time when his writing garnered him death threats. Sample quote: “I drove the guy in the next room demented as I replayed an old tape, repeating the same musical phrase, again and again.”
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Worse than the Delaware
You may have heard that The Paris Review Daily is recapping Dante’s Inferno. This week, Alexander Aciman guides readers through Canto 8, better known as the Canto in which Dante crosses the river Styx.
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Frank O’Hara: 21st Century Poet?
In a piece for The Atlantic, Micah Mattix responds to the 50th Anniversary Edition of Lunch Poems with a reflection on the social media-esque quality of Frank O’Hara‘s poetry. “O’Hara’s Lunch Poems—like Facebook posts or tweets—shares, saves, and re-creates the poet’s experience of the world. He addresses others in order to combat a sense of loneliness, sharing his gossipy, sometimes snarky take of modern life, his unfiltered enthusiasm, and his boredom in a direct, conversational tone. In short, Lunch Poems, while 50 years old, is a very 21st-century book.”
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