Have you been reading Michelle Dean’s Saturday History Lessons over at The Rumpus? This weekend she wrote on Dorothy Parker’s ashes, which are, apparently, in Baltimore. Also, this one, on Flannery O’Connor and her best pen pal Betty Hester, is great.
Looking for a new literary podcast to fill your downtime? David Naimon’s “Between the Covers” author interview series may do the trick. The series, which appears regularly on Portland, Oregon’s KBOO 90.7 FM, is available for free on iTunes. Past guests have included Karen Russell, George Saunders, China Miéville and Junot Díaz. Forthcoming episodes will feature the likes of NoViolet Bulawayo and Jami Attenberg.
At Salon, Kyle Minor listens to an audiobook recording of Joan Didion’s Salvador and finds that it remains “immediately relevant to a new reader whose memory of its context is more the kind of memory that arises from having read books about history than one that arises from having been old enough in 1983 to understand the meaning of phrases such as death squad, or body count, or mechanism of terror.”
Amidst all the sad tales of great bookstores going under, the Strand remains a fixture of the New York lit scene. At Vulture, Chris Bonanos explores the many reasons why the Strand is still afloat, among them the store’s increasing sales of new books. You could also read our own Janet Potter on her lifelong infatuation with bookstores.
The long-awaited follow-up to Yann Martel’s Booker-winner Life of Pi is out: Beatrice and Virgil. Also new, Elegy for April, a thriller by John Banville alter ego Benjamin Black; David Lipsky’s already much discussed interview with David Foster Wallace, Although Of Course You End Up Becoming Yourself; and, apparently hitting shelves ahead of its official release date, a book of philosophy by Marilynne Robinson, Absence of Mind.
“Though female authors write experimental novels about women—like Renata Adler’s Speedboat or Sheila Heti’s How Should a Person Be?—the avant-garde has long been associated with male authors and stories. That association made Alexandra Kleeman’s You Too Can Have a Body Like Mine seem doubly unusual.” On Kleeman’s debut novel and blatantly feminine themes in the avant-garde.