Have you been reading Michelle Dean’s Saturday History Lessons over at The Rumpus? This weekend she wrote on Dorothy Parker’s ashes, which are, apparently, in Baltimore. Also, this one, on Flannery O’Connor and her best pen pal Betty Hester, is great.
With Halloween a week away, The New York Times asked Ayana Mathis and Francine Prose about the “most terrifying” books they’ve read. Their choices? Roll of Thunder, Hear My Cry and Hans Christian Andersen‘s fairy tales. Pair their combined essays with Flavorwire‘s list of “50 of the Scariest Short Stories” and our own Ben Dooley‘s brief review of House of Leaves‘s “existential terror”.
Since we just can’t seem to get enough of the Shakespeare infographics, here’s another from Electric Literature. This time, it’s the characters and their web of interactions that gets the colorful, 21st century treatment. Last time, it was deaths. Forsooth, at least you probably won’t have to wait long for another one.
Iconic illustrations from Ezra Jack Keats‘ The Snowy Day will become part of the United States Postal Service’s “Forever” series. The four stamps will feature Peter, the little brown boy in his famous red snowsuit, in various states of play. See also: our own Edan Lepucki on children’s books and their grown-up counterparts.
We’ve seen a lot of interesting literary fundraisers (and are still a bit in awe of Catstarter) but a recent campaign goes beyond the usual Kickstarter: a group of well-known American writers, from Heather McHugh to Philip Levine to Rebecca Makkai, will be selling manuscript critiques later this month to benefit Caregifted.org.
Dave Eggers’ latest, A Hologram for the King, is out today. Also out this week is an under-the-radar, new effort from Richard Russo, Interventions, a collection that’s a collaboration with his artist daughter Kate Russo. Sheila Heti’s How Should a Person Be? is out (Don’t miss our illuminating interview). And Michael Frayn has a new novel, Skios. More new fiction: Don Winslow’s The Kings of Cool (a prequel to Savages), Joshua Henkin’s The World Without You, and Carol Rifka Brunt’s Tell the Wolves I’m Home. In non-fiction, There’s David Maraniss’ Barack Obama: The Story.