The fine folks at Norton have made all of Patricia Highsmith’s books available in eBook format, and to celebrate the move, they’ve crafted a website dedicated to the author’s work. Choose Your Highsmith features a recommendation engine while will instantly pick a Highsmith book to match your selected criteria. There’s also a great video in which Alison Bechdel, Robert Weil (Highsmith’s editor at Norton), Joan Schenkar (Highsmith’s biographer), and Terry Castle share their love for the author of the Mr. Ripley series.
If your interest in Siri Hustvedt’s work was piqued by Hannah Gersen’s review of The Blazing World this week, then you’ll be thrilled to learn that the Kindle version of Hustvedt’s earlier novel, Summer Without Men, is available through 4/8 for the low, low price of $3.99.
“Everyone who’s been reading the manuscript is in tears by the second chapter.” Tracy Martin and Sybrina Fulton, parents of Trayvon Martin, have signed a deal to publish a book titled Rest in Power: The Enduring Life of Trayvon Martin; its release is scheduled for January 31, 2017. Might we also recommend Ismail Muhammad‘s piece from earlier this week on Frank Ocean, “looking again,” and the black male body – you’ll feel more whole for having read it.
Another big week for books is headlined by Michael Chabon’s Telegraph Avenue (the book’s opening lines) and Junot Díaz’s This Is How You Lose Her. Also out are Susan Straight’s Between Heaven and Here, touted debuts The People of Forever Are Not Afraid by Shani Boianjiu and The Yellow Birds by Kevin Powers, How Music Works by Talking Heads frontman David Byrne, and Bob Woodward’s latest Beltway tick-tock The Price of Politics.
When you’re trying to keep up with the best new writers out there, it’s easy to forget the debt we owe to the classics. So let’s go back to the beginning: Why Homer Matters, a new book by Adam Nicholson on the father of all poets, explores the question of who Homer was, and whether or not he was even one person. You could also read Frank Kovarik on the parallels between The Odyssey and Toni Morrison’s Beloved.
“Poetry is not connected to my professional work – it is my personal world,” says India’s newly-appointed ambassador to Argentina, Amarendra Khatua. Indeed, Khatua’s but the latest high-profile figure in Indian government to turn to creative writing to seek “emotional refuge” and a means of “battl[ing] workplace blues and the stress of decision making.”