The history behind the iconic Esquire cover that depicts Andy Warhol trapped in a swirling vortex of tomato soup. Before photoshop! I have a reproduction of this particular cover hanging in my kitchen, and I have to tell you that I can’t bear to eat canned Tomato soup at all anymore.
On Zadie Smith in the Guardian: The new novel arrived fully-formed: Zadie Smith woke up one morning, and On Beauty was all there, in her head. She wanted to write a long marriage – she’d just got married herself, was curious what 30 years of it would be like – and she had a plot. When she described it to her new husband, poet and novelist Nick Laird, however, he pointed out she was simply rewriting Howards End. But she has never been afraid of tribute, and [E.M.] Forster was a “first love”; she had a couple of serious wobbles but this did not put her off.The Guardian also gives the book a good review. On Beauty comes out September 13.Every once in a while I spot an interesting looking item in those ads at the top of the page. Today I saw one for Out of Eden: Odyssey of Ecological Invasion by Alan Burdick. It looks like the sort of book you’d like if you like Jared Diamond’s books. It describes how different invasive species have managed to relocate to new parts of the globe.Tattoos and literature are becoming ever more enmeshed, it seems. Recent novels by Jill Ciment and John Irving dwell on tattoos, and now a Brooklyn writer, Shelley Jackson, “has been having volunteers tattooed with individual words of her 2,095-word short story (“Skin”) since 2003. Only 700 words remain to be tattooed.” Read about it here.Another online book-tracking and tagging application: Reader2
There was an article in the New York Times on cook book ghostwriters, and it called Gwyneth Paltrow out for not writing My Father’s Daughter. Then the actress cum gourmand denied having worked with a ghostwriter in a tweet. Now Sari Botton, a frequent ghostwriter, has tried to clear the whole thing up in an essay on The Rumpus on why ghostwriting is such a fickle business, and a tricky term.
Ever since the advent of modern neuroscience, the language of the brain scientist has entered our common vocabulary. Words and phrases like “synapse,” “chemical imbalance” and “hardwired” point to its relevance in contemporary culture. At Page-Turner, a look at how cognitive language and our notion of attention affects the way we think about fiction and music, with particular reference to On Beauty by Zadie Smith and Orfeo by Richard Powers.
The Austen Project, launched last year, asks prominent contemporary writers to reimagine Jane Austen’s classics in modern times. (Thus far, we’ve seen Joanna Trollope’s Sense and Sensibility and Val McDermid’s Northanger Abbey.) In perhaps the most significant adaptation yet, Curtis Sittenfeld has announced that her Pride and Prejudice will feature a 39-year-old Jane Bennet. After all, Jane (23 in the original novel), is “pretty much teetering on the edge of spinsterhood.”