The history behind the iconic Esquire cover that depicts Andy Warhol trapped in a swirling vortex of tomato soup. Before photoshop! I have a reproduction of this particular cover hanging in my kitchen, and I have to tell you that I can’t bear to eat canned Tomato soup at all anymore.
At Slate, our own Mark O’Connell delves into the history of the self-interview, which you can find many examples of over at The Nervous Breakdown. Mark cites examples of self-interviews by prominent writers, including Tennessee Williams, F. Scott Fitzgerald and Year in Reading alum John Banville.
Scholars estimate that since T.S. Eliot’s death in 1965, “roughly 90 percent of his prose has been out of print and unavailable to literary scholars.” That will change this year with the publication of the first volume in Ronald Schuchard’s eight-volume work, The Complete Prose of T.S. Eliot.
Robert Darnton at the New York Review of Books considers the feasibility of creating a National Digital Library: “I know: the devil can cite Jefferson. Anyone can cull through the papers of the Founding Fathers in order to find quotations in support of a cause. But I can’t resist.”
Meet Shondaland, a new website created by Shonda Rhimes and dedicated to storytelling that launched this week. One of their most recent posts highlights 28 books to read this fall. We know there's a lot of reading recommendation lists around this time of year (like our September preview) but we appreciate the diversity of this list in particular and its willingness to hold back judgment if we don't finish all the suggestions. Pair with our interview with Jesmyn Ward (whose Sing, Unburied Sing made the list), along with Year in Reading alum Eleanor Henderson's Twelve Mile Straight.
In a Simpsons episode from the late nineties, Lisa Simpson, concerned that her mental skills may be deteriorating, manages to finagle her way onto a local TV news broadcast, where she urges the residents of Springfield to read two books: To Kill a Mockingbird and Harriet the Spy. At first glance, the two novels might not seem to have that much in common, but as Anna Holmes argues in a blog post for The New Yorker, the books share “ideas about the complexity, sophistication, and occasional wickedness of young girls’ imaginations.” (You could also read our own Garth Risk Hallberg on Malcolm Gladwell and To Kill a Mockingbird.)