In the latest installment of #LitBeat our correspondent reports from a Tumblr-hosted event at Housing Works, featuring readings from Baratunde Thurston, Alexander Chee, and our own Edan Lepucki.
Year in Reading alumna Sarah Manguso writes about motherhood, writing, and the disintegration of the self in a moving essay for Harper’s. As she puts it, “I want to read books that were written in desperation, by people who are disturbed and overtaxed, who balance on the extreme edge of experience. I want to read books by people who are acutely aware that death is coming and that abiding love is our last resort.” Pair with Jaime Green’s Millions review of Manguso’s Ongoingness: The End of a Diary.
“The story that Lee’s book tells (or tries to tell, because much evidence has been obscured or lost) is not about patience on a monument but about talent buried under a heavy plinth, and discovered only just in time—the late achievement less a measured distillation than a lifesaving decoction.” James Wood reviews Hermione Lee‘s new biography of novelist Penelope Fitzgerald for The New Yorker. Pair with Niamh Ni Mhaoileoin‘s Millions essay on the new age of biography.
Adam Mansbach’s “viral,” tongue-in-cheek kids’ book for adults, Go the F–k to Sleep is now out. We interviewed Mansbach years ago, pre-frenzy, about other matters. This week also offers up a pair of much anticipated novels for the literary set, The Astral by Kate Christensen (don’t miss Edan’s interview with Christensen today) and The Curfew by Jesse Ball, and a rather specialized tome for fans of literary history, Nom de Plume: A (Secret) History of Pseudonyms.