Annals of Dead Presidents

“If the taglines used to market lesbian, gay, bisexual, and transgender Americans to the country’s mainstream—‘Love Wins,’ ‘It Gets Better,’ and ‘You Can Play’—have led to unprecedented levels of inclusion and visibility, it is precisely by shoving sex aside and presenting gay people and straight people as essentially the same at heart. In the process, as the outsider status attached to being gay disappears in more and more contexts, some of gay culture’s radical roots risk being expunged from memory.” On Jim Downs’s Stand by Me: The Forgotten History of Gay Liberation.

Last month, we got the gossip from Orson Welles. This month, the dirt is about him. His first film, Too Much Johnson, was recently rediscovered in Italy.

You’d think the home country of Agatha Christie, Jack the Ripper and Sherlock Holmes would remain the home of great mysteries, but apparently the UK is in trouble. At least, that’s the argument of Christopher Fowler, a writer who smells a rat.

Twitter lets writers think in public, and it’s changing the way we write, Thomas Beller argues in The New Yorker. “Does articulating a thought in public freeze it in place somehow, making it not part of a thought process but rather a tiny little finished sculpture? Is tweeting the same as publishing?”