Continuing her ongoing instructional column for The New York Times, Constance Hale gives some pointers on the sweet science of writing for the ear.
“Eleven years later, the Atlantic Monthly editor, Thomas Wentworth Higginson, made a similar request to an obscure, retiring poet named Emily Dickinson who had written a letter asking if her verses ‘breathed.’ Her response was much like Melville’s, if typically elliptical: ‘Could you believe me—without? I had no portrait, now, but am small, like the Wren, and my Hair is bold, like the Chestnut Bur—and my eyes, like the Sherry in the Glass, that the Guest leaves—Would this do just as well?'” The age-old problem: how writers deal with publicity.
Read about Hitler’s vacation homes and how they shaped his image via propaganda in an excerpt from Hitler at Home by Despina Stratigakos at The New Republic. We reviewed Ben Urwand’s book The Collaboration: Hollywood’s Pact with Hitler, which discusses other propaganda surrounding the Nazi regime.
Mr. Sarvas aka TEV takes another turn in the limelight, this time in the Jewish Journal.Of course this story comes from a local TV news site: Pornographic comic books sold on Wal-Mart, Target web sites. Film at 11!Five things about children’s book awards from a Michigan point of view.”Digital textbooks can save college students hundreds of dollars every semester, but the market is off to an unimpressive start.”A charming remembrance of Ryszard Kapuscinski by writer Andrew Nagorski.
Last semester, at UC Riverside, the novelist Susan Straight began the class “Mixed-Race Literature and the American Experience” with a simple question: “How many of you are often asked, What are you?” In an essay about the class, she relates what they learned, which includes the observation that hair is weirdly important in America. (Related: The Millions published an essay by Straight on Toni Morrison’s Sula.)