Two new studies reaffirm what good readers (and Quixote and Pechorin) have long known—when you identify with a fictional characters, you are likely to subconsciously emulate them.
From Hunter S. Thompson’s 1958 job application to the Vancouver Sun: “And don’t think that my arrogance is unintentional: it’s just that I’d rather offend you now than after I started working for you. I didn’t make myself clear to the last man I worked for until after I took the job. It was as if the Marquis de Sade had suddenly found himself working for Billy Graham.”
If you’re wondering why you should read this new essay on Jack London, consider this sentence: “Born in 1876, the year of Little Bighorn and Custer’s Last Stand, the prolific writer would die in the year John T. Thompson invented the submachine gun.” In Smithsonian Magazine, Kenneth Brandt explores the brief life of the author.
Once a decade, Granta publishes a special “Best of Young American Novelists” issue featuring work from American fiction writers under the age of forty. The latest list includes Millions staffer and City on Fire author Garth Risk Hallberg, as well as Lauren Groff, Yaa Gyasi, Ottessa Moshfegh, and Claire Vaye Watkins, to name just a few. The issue will hit shelves on May 4th.
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.