"Well, continuing with my policy of baring my soul, Dwight Garner said something like, the book was like one of those satellite photos of North Korea when I talked about the second marriage. I obviously had very little access to Updike from ‘77 on, really. And I cheated a bit by using Ian McEwan as my spy in the Updike household. First of all, Updike definitely did pull up the drawbridge and retire into his castle and I thought, in a sense, that this should be respected. He had decided on his persona, at that point—the highly professional man of letters. And I thought, why not let him go out with that persona intact?” At The Awl, Elon Green talks with Adam Begley about his new biography of John Updike.
A memoir by Winnie-the-Pooh author A.A. Milne shows a writer frustrated at how his creation undermined his adult literary cred. Republished 70 years after it went out of print, It's Too Late Now reveals a trapped Milne wishing for more control over his own narrative: “I wanted to escape from [children’s books] as I had once wanted to escape from Punch; as I have always wanted to escape. In vain. England expects the writer, like the cobbler, to stick to his last.”
Now that they’ve announced the impending publication of The Best American Infographics, it might be prudent to revisit Reif Larsen’s classic Millions article, “This Chart Is a Lonely Hunter: The Narrative Eros of the Infographic.”
We are longtime fans (and participants) of The Morning News's Tournament of Books, and so were thrilled to learn they're starting up a summer book club with a ToB twist. Join them in reading Katie Kitamura's A Separation and The Night Ocean by Paul La Farge, starting in just a week and a half.