With the help of the students in Oberlin’s Advanced Fiction Workshop, Dan Chaon whittled the 200-story longlist provided by Wigleaf’s editors into The Top 50 (Very) Short Fictions. Enjoy your reading, everybody.
Debut short story writer Matthew Vollmer gets some love.For those left baffled by descriptions of “the Purdie shuffle” in last week’s New Yorker and New York Times, the mighty Bernard “Pretty” Purdie offers a demonstration.At the International Edible Book Festival, you can chase down your Remembrance of Things Pasta with some Rosencrantz and Guildenstern are Bread (via The Book Bench)Despite (or because of?) its compassionate ecumenicalism, Sana Krasikov’s One More Year wins the Jewish Book Council’s Sami Rohr Prize.A 1979 cover letter from then-unknown Kazuo Ishiguro, re: the story “Getting Poisoned.” Bonus features: Hemingwavian brevity, grease stains.The New York Times Magazine’s editor ponders the fate of long-form journalism……while Vanity Fair questions the Times’ relentless interactivity.Stephen King, once thought to be considering retirement, has been as prolific as ever, now announcing the November publication of a 1,120-page novel, Under the Dome, about a town that has been sealed off by an invisible force field.The Complete Review turns 10!30 Poets/30 Days: a celebration of children’s poetry”Notes and Errata” on D. T. Max’s profile of David Foster Wallace “The Unfinished.” (via kottke)Kassia Krozser says “Enough With The Smell of Books, Okay?” about the olfactory argument in the ebooks debate.William Zinsser on writing On Writing Well and keeping it up-to-date for 35 years.Google poses a literary stumper.
Among the better tidbits from Gary Shteyngart’s diary of his book tour for Little Failure is the fact that he’s apparently had fellow Russian immigrants ask him to sign books for “a failed paralegal” and “a worse failure than even you.” If, after reading that, you’d like another dose of Shteyngart, you could do worse than his Year in Reading entry.
“[Emily] Dickinson is often portrayed as some white gossamer recluse, completely divorced from the world outside her bedroom—but that is not really true. The physical circumference of her adult life was small, but its psychological terrain was boundless.” This piece explores the ways in which Emily Dickinson’s work was shaped by her skills as a gardener and naturalist.
Year in Reading alumna Parul Sehgal’s column for The New York Times debuted last week with her reflections on the great Czech writer Bohumil Hrabal. As she puts it, “He is a spider of a writer: subtle and sly, patient, with invisible designs. He never proclaims — he never needs to. He envelops.” Pair with John Yargo’s Millions essay on Hrabal’s fiction.
Writer James Salter died on Friday. We interviewed him in 2012 and he reflected on memory and on his long life as a writer. He said, “Everything you know, nobody else knows, and everything you imagine or see belongs to you alone. What you write comes out of that, both in the trivial and deepest sense.” Prior to that, in 2010, Sonya Chung wrote about Salter’s legacy and how he finally seemed to be getting his due as more than just “a writer’s writer.”