The latest issues of Barrelhouse and Big Bridge are online, free, and ready for your perusal.
This Week in Literary Journals
Viet Thanh Nguyen and the Refugee’s Narrative
Viet Thanh Nguyen discusses the complexity behind refugee narratives and resisting the temptation of shallow representation.
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Literary Self-Help
Paris Review editor Lorin Stein recommends a couple of self-help books to one reader in this week’s mail blog. “Let your self-help freak flag fly!” he writes. Such might put you in esteemed company. As Maria Bustillos pointed out in her poignant investigation for The Awl, David Foster Wallace treasured many self help books.
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A Brief History of Library Theft
From 400-year-old bibles to John F. Kennedy's rocking chair, library thieves have stolen countless artifacts over the years.
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Lost in the Archives
Charles Petersen traces the fascinating history of the New York Public Library to show the real cost of the planned renovations and the pitfalls of the inevitable digital libraries of the future. Mark Athitakis observes how archives flatten fictions with keywording.
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Type Writer Fetish
Want to make your writing more dramatic? Try using a typewriter. Tom Hanks professes his love for typewriters in The New York Times. “Everything you type on a typewriter sounds grand, the words forming in mini-explosions of SHOOK SHOOK SHOOK. A thank-you note resonates with the same heft as a literary masterpiece,” he writes. Pair with: A St. Louis man placed typewriters around the city in hopes that residents will share their stories.
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Lispector Inspector
The new issue of The New York Review of Books is out. A highlight, as usual, is Michael Wood, who does a better job than we did with Inherent Vice. But those of us on this side of the pay wall will have to make do with Lorrie Moore‘s intriguing essay on Clarice Lispector.
Cleanliness Is Next To Literature
“Chekhov’s contemporaries wondered: What sort of Russian writer was he? He had no solution to the ultimate questions. With no ‘general idea’ to teach, wasn’t he more like a talented Frenchman or Englishman born in the wrong place?” (And our own Sonya Chung argues that personal character was in fact his “general idea.”)