Poet Elisa Gabbert recaps the warm-your-heart generosity of poet (and “Poet Laureate of Twitter”) Patricia Lockwood’s Twitter followers.
The Power of Social Media (And Sexts)
Too Crazy to Believe
“Any day’s news supplies plots so fantastic that most make-believe story lines pale in comparison.” Author John Altman in the LA Times about the difficulty of writing fiction during Trump’s presidency. “My current novel-in-progress concerns North Korea,” writes Altman, “and each day’s headlines endanger its premise. But too much second-guessing hobbles a writer. One can only take a deep breath, remind oneself that war with North Korea would jeopardize much more than a humble spy thriller, and forge ahead, hoping for the best.”
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The Great Silence
“I and my fellow parrots are right here. Why aren’t they interested in listening to our voices?” New short fiction from Ted Chiang over at Electric Literature (and introduced by Year in Reading alum Karen Jay Fowler)! Pair with our encyclopedic survey of primate lit.
A Moveable Photo
What do you get if you combine Man Ray with some of the most celebrated artistic figures of 1920’s Paris such as Ernest Hemingway, Lee Miller, and Marcel Duchamp? The answer is: some predictably fantastic portraits. For more on Man Ray, here’s a moving essay on how his Hollywood Album redefined Liska Jacobs’ idea of a “life’s work.”
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Appearing Elsewhere
A few days ago, Amazon announced the launch of their new “@Author” feature for the Kindle, whereby readers can click on an e-book passage and ask the author questions about it directly. I’ve broken out in a cold poststructuralist sweat about this over on The New Yorker’s Book Bench blog.
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Don’t Ask, Don’t Tell No More
US Petty Officer 2nd Class Marissa Geata and her partner, Petty Officer 3rd Class Citlaic Snell, showed that, indeed, Don’t Ask, Don’t Tell is dead. The couple shared a kiss in the Navy tradition: winning a raffle for the first kiss on the pier after a ship returns from sea.
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Capote Quiz
The OUP’s blog has created a Truman Capote quiz. The idea is to match the author’s quotation with its literary victim.
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