The New Republic, which was recently acquired by Facebook co-founder Chris Hughes, has started a super clean, neat little news reader.
A new, annotated edition of Mein Kampf is slated for release sometime next week, and it’s already poised to be a bestseller in Germany. The edition, which aims to “unmask his false allegations, whitewashing and outright lies,” will debut at number 20 on the bestseller list after increased demand bumped the initial print run up to 15,000 copies.
“Our Aesthetic Categories, though, argues on behalf of aesthetic experiences that aren’t quite so awe-inspiring or rare. Sitting before your computers or walking the streets of your town, you don’t encounter beautiful things as frequently as you do interesting, momentarily arresting ones—and as for the sublime, when was the last time you experienced catharsis? Instead, [Sianne] Ngai considers our ‘minor’ aesthetic experiences, the ones that make up our day.” In the era of adorkable and nerd chic, Slate looks at Our Aesthetic Categories: Zany, Cute, Interesting.
“For that reason, it’s hard to imagine coming to this book for the first time, and experiencing it in the same way as that college senior back in 2003.” The Outline on the 15-year anniversary of Chuck Klosterman‘s Sex, Drugs, and Cocoa Puffs. (Read our review of the king of pop culture’s newest book.)
Keeping track of the art mentioned in Donna Tartt’s The Goldfinch is almost as difficult as keeping track of Boris. Fortunately, Laura Petelle made a Pinterest board of all the art in the novel, complete with excerpts. Start reading from the bottom up, and beware of spoilers.
“What is missing from Testimony is the customary idealistic hero, the one last encountered in Walt Whitman’s Leaves of Grass who doesn’t avert his eyes from suffering and sordidness, but who nevertheless is full of hope for a better future. Testimony is a corrective, an anti-epic.” Charles Simić recounts Charles Reznikoff’s long poem Testimony: The United States (1885-1915): Recitative in the NYRB.