The trailer for Paul Thomas Anderson’s forthcoming film The Master was released this week. The film will be about a mercurial religion called “The Cause,” and the whole thing appears to be based on L. Ron Hubbard and the Church of Scientology.
The Master Gets a Trailer
The Queen Died of Grief
Must female characters always stand in the shadow of the institution of marriage? Ivan Kreilkamp writes on female bachelors, from Renata Adler’s Speedboat to Elizabeth Hardwick’s Sleepless Nights. Pair with this Millions essay on Adler’s piecemeal novel.
Dinner with Mr. Koch
"I don’t want to write ‘funny’ books where we all have to laugh our heads of all the time. The humor should come from behind, where we don’t expect it. And the life of a well-known writer is something you can laugh about quite easily." On the occasion of his new novel Dear Mr. M, our own Claire Cameron interviews Herman Koch over at Salon.
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Revolution Girl Style Now
Listen up, rebel girls! The October issue of The Believer features selections from New York University's riot grrl collection, curated by archivist Lisa Darms.
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Children Coming Together
Lynda Barry illustrates Carrie (of horror fame) and Heidi (of childhood book fame) meeting for the first time.
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Emerging Writers Fellowships — Asian American Writers’ Workshop
Emerging writers, check it out: the Asian American Writers' Workshop is accepting applications for TWO emerging writers' fellowships (fiction and nonfiction), $5000 plus mentoring and work space. May 16 deadline, more info here.
The Opposite of Slouching
“Aspiring journalists tend to worship at the altar of Joan Didion,” writes Heather Havrilesky (who some of you may know as Polly) in the latest issue of Bookforum. The fact that so many writers look up to Didion as an example necessitates that the lit world find at least one offbeat alternative. In Havrilesky's eyes, that alternative is obvious: the late Nora Ephron was the anti-Didion, she argues.
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