David Carr takes a look at The Atavist, whose team of multimedia gurus has won the attention (and seed funding) of Google founder Eric Schmidt. Of course, the outfit’s also been receiving generous attention for their quality work, too. (I mentioned them a few months ago.) More recently, however, certain scientific circles have fawned over the subject of their story The Electric Mind, which tracks one paralyzed woman and the scientists who developed the BrainGate technology which eventually got her moving… robotically.
Out this week: Vinegar Girl by Anne Tyler; The Mandibles by Lionel Shriver; As Good as Gone by Larry Watson; Disappearance at Devil’s Rock by Paul Tremblay; My Last Continent by Midge Raymond; and The World Without Us by Mireille Juchau. For more on these and other new titles, go read our Great 2016 Book Preview.
You may have heard that our own Bill Morris has a new book on shelves. He talked about it with fellow Millions staff writer and California author Edan Lepucki. At the LARB, Diana Clarke reviews the book, which she calls “a sharp critique of the contemporary American post-racial narrative,” among other things.
The 87th annual California Book Awards, which “recognizes the state’s best writers and illuminate the wealth and diversity of literature written in California,” announced this year’s finalists. The nominees include Rachel Khong‘s Goodbye, Vitamin, Viet Thanh Nguyen‘s The Refugees, and Zinzi Clemmons‘s What We Lose (here’s the full list). From our archives: The Millions’ interview with Khong.
I have an essay in the September issue of Poets & Writers on “The Social Value of MFA Programs.” Sadly, P&W deems the piece too valuable to give away for free on the Web, so if you want to read it, you’ll have to go to your local newsstand and buy a copy.
“Every evening we spent an hour and a half in the drawing-room, and, as far back as I can remember, he found some way of amusing us himself…many of the great English poems now seem to me inseparable from my father; I hear in them not only his voice, but in some sort his teaching and belief,” Virginia Woolf wrote of her father for his biographer, but who was Leslie Stephen, exactly?
Steve Jobs, a new movie written by Aaron Sorkin, directed by Danny Boyle, and based on Walter Issacson’s biopic, will be released in theaters on October 23rd. Watch the official trailer and read a review at The Awl. Pair with our essay on Jobs’s legacy and Apple’s private beach.