David Carr takes a look at The Atavist, whose team of multimedia gurus has won the attention (and seed funding) of Google founder Eric Schmidt. Of course, the outfit’s also been receiving generous attention for their quality work, too. (I mentioned them a few months ago.) More recently, however, certain scientific circles have fawned over the subject of their story The Electric Mind, which tracks one paralyzed woman and the scientists who developed the BrainGate technology which eventually got her moving… robotically.
“It’s corrosive going down, you wonder if he had to add quite so much vinegar and horseradish, but afterward the effect is invigorating.” Aaron Thier at The Nation reviews Rafael Chirbes’ newest novel, On The Edge. The book admittedly gives no pleasure, yet is nonetheless worth reading as it operates like more of a “psychological health tonic,” instead.
One Romanian woman may have committed “a barbarian crime against humanity” by incinerating a collection of seven famous paintings – including Picasso’s “Harlequin Head,” Monet’s “Waterloo Bridge, London,” and Gauguin’s “Girl in Front of Open Window.” Her excuse? It was in order to protect her son – a skilled art thief – from prosecution.
“For a woman to be a flâneuse, first and foremost, she’s got to be a walker – someone who gets to know the city by wandering its streets, investigating its dark corners, peering behind façades, penetrating into secret courtyards. Virginia Woolf called it ‘street haunting’ in an essay by that name: sailing out into a winter evening, surrounded by the ‘champagne brightness of the air and the sociability of the streets,’ we leave the things that define us at home, and become ‘part of that vast republican army of anonymous trampers.’” On the female flâneur. Also check out this Millions essay about the flâneur in modern fiction.
For a man who’s retired, Philip Roth is still oddly present in the literary world. Ever since he announced his intention to quit writing, he’s made a stream of public appearances, including an awards ceremony at Yaddo one week after claiming he’d never appear on stage again. So what gives? In The Baffler, J.C. Hallman explains why writers can never really quit, in a piece that nicely complements our own take on literary retirement. FYI, Hallman has written for us.
Clusty has unveiled a very cool Shakespeare search engine, allowing one to sift through all the bard’s works with the push of a button.The Washington Post is hosting live lunchtime chats with various authors over the next two weeks to coincide with the 2006 National Book Festival. The highlight: Geraldine Brooks, author of Pulitzer Prize-winning The March on Thursday.Just announced: Another Hannibal book from Thomas Harris called Hannibal Rising, prompting Ed to call Harris “The Laziest Titler in the Publishing Industry.”
“This is worth repeating to yourself every day as you sit down at your keyboard: You must write to the end of the story. You must make progress toward that end today. A sentence, a paragraph, a chapter. You must push the story forward, forward, forward. Don’t stop until you get to the end.” Hugh Howey on the Amazon Author Insights blog about how to write a rough draft. Pair with a popular and wonderfully motivating piece by Nick Ripatrazone, “Don’t Worry. Don’t Wait. Write.”
Wells Tower is having himself a great week, and it stands to reason that when he’s having a good week, we’re all having one as well. After all, we get to ponder the potential of the script Tower wrote for You Shall Know Our Velocity, an upcoming film based on Dave Eggers’s novel of the same name. We also get to read Tower’s Garden & Gun piece on “the nervous work of owning – and finally loving – a Chihuahua.” And as though that wasn’t enough already, we also get to savor Tower’s gripping feature story in the latest GQ, “Who Wants to Shoot an Elephant?”